01277cam  22002531  4500001001800000003000400018005001700022007000700039008004100046010002200087040001800109050001700127245009100144260005000235300001900285520036600304530012500670650001900795650004500814856009000859906002400949955002800973985002201001   05029203 //r98DLC19980618145306.6cr||||790302s1879    ilu           000 0 eng    a   05029203 //r98  aDLCcDLCdDLC00aGV1757b.G3704aThe german.bHow to give it. How to lead it. How to dance it.cBy two amateur leaders.  aChicago,bJansen, McClurg and company,c1879.  a132 p.c20 cm.  aThis manual, which is devoted entirely to performance of the popular parlor game, describes the duties of the hostess ("remove all unnecessary furniture"), appropriate music, refreshments, and choosing a leader.  Also included is a section on etiquette for guests participating in the German (also known as the cotillon).  More than forty figures are described.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aGerman (Dance) 4aDance Instruction and Technical Manuals.7 dmusdif003gurn:hdl:loc.music/musdi.003uhttp://hdl.loc.gov/loc.music/musdi.0032http  k l mxn7o7pPqM  aNEW INPUT th16 05-20-98  asmcd/musdieammem02499cam  22003971  4500001002100000003000400021005001700025007000700042008004100049010002500090040001800115043001200133050002100145130002000166245021300186260006500399300002800464500006400492500008200556520091000638530008601548650004101634650002001675650001801695650004501713650002401758650002101782700003201803700003101835730002801866740004301894856009001937906002402027955002802051985002202079   11030463 /MN/r989DLC19941114102708.4cr||||790302r16981651enk           000 0 eng    a   11030463 /MN/r989  aDLCcDLCdDLC  ae-uk-en00aMT950b.P68 16980 aDancing master.04aThe dancing master; or, Directions for dancing country dances,bwith the tunes to each dance, for the treble-violin. The 10th ed. corrected; with addition of several new dances and tunes never before printed.  a[London]bPrinted by J. Heptinstall, for H. Playford,c1698.  a2 v. in 1.c11 x 20 cm.  aVol. 2, 2d ed., has imprint: Printed for H. Playford, 1698.  aFirst ed. published 1651 [i.e. 1650] under title: The English dancing-master.  aOriginally published in 1650 under the title of The English dancing master, this work went through numerous editions from 1652 to 1728.  Compiled by John Playford (1623-1687), a publisher of music books, the treatise is considered an important work on English country dances, a form of dance where couples perform a series of set patterns.  In this tenth edition, Henry Playford notes that he has made corrections and added several new dances and tunes.  The work utilizes a rudimentary dance notation and page one of the treatise is devoted to an explanation of the symbols.  Part one contains 215 dances; part two has 46 dances and additional music for "A new spanish entry and saraband," as danced by Monsieur L'Abbe.  Appropriate music, in the form of a treble line, is provided for each dance.  Most of the dances are designated for longways sets of three couples, four couples, or "as many as will."  aAvailable also through the Library of Congress Web site as facsimile page images. 0aDancezEnglandxEarly works to 1800. 0aCountry-dances. 0aViolin music. 4aDance Instruction and Technical Manuals. 4aNotation for Dance. 4aMusic for Dance.1 aPlayford, john,d1623-1686?1 aPlayford, Henry,db. 1651.01aEnglish dancing master.01aDirections for dancing country dances.7 dmusdif004gurn:hdl:loc.music/musdi.004uhttp://hdl.loc.gov/loc.music/musdi.0042http  k l mxn7o7pPqM  aNEW INPUT th16 05-20-98  asmcd/musdieammem01610cam  22003131  4500001001800000003000400018005001700022007000700039008004100046010002200087040001800109050001600127245002400143246003300167250001500200260004600215300004100261500004700302500018300349520038800532530012500920650001901045650004501064700002301109856009001132906002401222955002801246985002201274   43030217 //r98DLC19980618152413.5cr||||781018q18901900fr af         000 0 fre    a   43030217 //r98  aDLCcDLCdDLC00aGV1757b.M300aManuel du cotillon.14aCotillon, manuel de la danse  aNouv. âed.  aParis,bOuachâeec[between 1890 and 1900]  a122 p.billus., col. plates.c18 cm.  aOn cover: Le cotillon, manuel de la danse.  aFolded broadside mounted on back cover: Polka, mazurke, schotisch et valse. Thâeories râeunies et publiâees par Eugâene Clâement ... Paris, L'auteur [n.d.] illus. 44 1/2 x 40 cm.  aThis late nineteenth-century manual is devoted to description of the popular parlor game, the German (also known as the cotillon).  Every page of the manual has an advertisement for Au Paradis des Enfants in Paris, a shop that sold party accessories for the cotillon, including tambourines for the leader, ball cards, hair ornaments, decorations, roulette wheels, and paper lanterns.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aGerman (Dance) 4aDance Instruction and Technical Manuals.1 aClâement, Eugáene.7 dmusdif005gurn:hdl:loc.music/musdi.005uhttp://hdl.loc.gov/loc.music/musdi.0052http  k l mxn7o7pPqM  aNEW INPUT th16 05-20-98  asmcd/musdieammem02061cam  2200361 a 4500001001300000003000400013005001700017007000700034008004100041010001700082040002400099043001200123050001100135050002500146100001600171245013300187260005500320300004800375500004300423500012200466520063400588530008601222650006101308650005201369650004501421650002401466650002101490700003401511856009001545906002401635955001801659985002201677   98160753 DLC19980616103901.7cr||||980615s1710    enkag         00010 eng    a   98160753   aDLCcDLCdDLCedcrb  ae-uk-en10aGV158900aMT950.P2bP6u<Case>1 aIsaac,cMr.14aThe princess :bMr. Isaac's new dance made for Her Majestys birth day ; engraven in characters & figures for the use of masters.  a[London :bPrinted for I. Walsh & I. Hare,c1710?]  a[10] leaves :bill., music ;c29 cm. (fol.)  a"The princess by Mr. Isack"--Leaf [2].  aLC copy imperfect: t.p. wanting.  Title supplied from Catalogue of printed music in the British Library to 1980.5DLC  aThis ballroom dance for one couple, preserved in Feuillet notation, was choreographed by English dancing master Mr. Isaac (c. 1640-c.1720) to music composed by James Paisible (died 1721).  A triple meter dance of nine couplets, the meter changes to 6/4 at the commencement of the fifth couplet.  The dance notation system, first published by dancing master Raoul-Auger Feuillet (1659 or 1660-1710), is based on tract drawings that trace the pattern of the dance.  Additionally, bar lines in the dance score correspond to bar lines in the music score.  Signs written on the right or left hand side of the tract indicate the steps.  aAvailable also through the Library of Congress Web site as facsimile page images. 0aDancexStudy and teachingzEnglandxEarly works to 1800. 0aBallroom dancingzEnglandxEarly works to 1800. 4aDance Instruction and Technical Manuals. 4aNotation for Dance. 4aMusic for Dance.1 aPaisible, James,d1656?-1721.7 dmusdif006gurn:hdl:loc.music/musdi.006uhttp://hdl.loc.gov/loc.music/musdi.0062http  k l m n7o7pPqM  avj01 06-15-98  asmcd/musdieammem01990cam  2200373 a 4500001001300000003000400013005001700017007000700034008004100041010001700082040002400099043001200123050001100135050002500146100001600171245007700187246001000264260005500274300004800329530008600377520062400463500012201087650006101209650005201270650004501322650002401367650002101391700003401412700001601446856009001462906002401552955001801576985002201594   98160759 DLC19980616104032.6cr||||980615s1711    enkag         00010 eng    a   98160759   aDLCcDLCdDLCedcrb  ae-uk-en10aGV158900aMT950.P2bR5u<Case>1 aIsaac,cMr.14aThe royall :bMr. Isaac's new dance made for Her Majesty's birth day ...3 aRoyal  a[London :bPrinted for I. Walsh & I. Hare,c1711?]  a[12] leaves :bill., music ;c29 cm. (fol.)  aAvailable also through the Library of Congress Web site as facsimile page images.  aThis ballroom dance for one couple, preserved in Feuillet notation, was choreographed by English dancing master Mr. Isaac (c. 1640-c.1720) to music composed by James Paisible (died 1721).  The eleven couplet dance begins in triple meter and changes to a hornpipe on the fifth couplet.  The dance notation system, first published by dancing master Raoul-Auger Feuillet (1659 or 1660-1710), is based on tract drawings that trace the pattern of the dance.  Additionally, bar lines in the dance score correspond to bar lines in the music score.  Signs written on the right or left hand side of the tract indicate the steps.  aLC copy imperfect: t.p. wanting.  Title supplied from Catalogue of printed music in the British Library to 1980.5DLC 0aDancexStudy and teachingzEnglandxEarly works to 1800. 0aBallroom dancingzEnglandxEarly works to 1800. 4aDance Instruction and Technical Manuals. 4aNotation for Dance. 4aMusic for Dance.1 aPaisible, James,d1656?-1721.0 aIsaac,cMr.7 dmusdif007gurn:hdl:loc.music/musdi.007uhttp://hdl.loc.gov/loc.music/musdi.0072http  k l m n7o7pPqM  avj01 06-15-98  asmcd/musdieammem01918cam  2200349 a 4500001001300000003000400013005001700017007000700034008004100041010001700082040002400099043001200123050001100135050002500146100001600171245013900187260005500326300004700381500012100428520054200549530008601091650006101177650005201238650004501290650002401335650002101359700003401380856009001414906002401504955001801528985002201546   98160715 DLC19980616104149.5cr||||980615s1713    enkag         00010 eng    a   98160715   aDLCcDLCdDLCedcrb  ae-uk-en10aGV158900aMT950.P2bN5u<Case>1 aIsaac,cMr.14aThe Northumberland :bMr. Isaac's new dance made for Her Majestys birth day ; engraven in characters & figures for the use of masters.  a[London :bPrinted for I. Walsh & I. Hare,c1713?]  a[9] leaves :bill., music ;c29 cm. (fol.)  aLC copy imperfect: t.p. wanting.  Title supplied from the British Museum Catalogue of printed music, 1487-1800.5DLC  aThis ballroom dance for one couple in eight couplets, preserved in Feuillet notation, was choreographed by English dancing master Mr. Isaac (c. 1640-1720) to music composed by James Paisible (died 1721).  The dance notation system, firt published by dancing master Raoul-Auger Feuillet (1659 or 1660-1710), is based on tract drawings that trace the pattern of the dance.  Additionally, bar lines in the dance score correspond to bar lines in the music score.  Signs written on the right or left hand side of the tract indicate the steps.  aAvailable also through the Library of Congress Web site as facsimile page images. 0aDancexStudy and teachingzEnglandxEarly works to 1800. 0aBallroom dancingzEnglandxEarly works to 1800. 4aDance Instruction and Technical Manuals. 4aNotation for Dance. 4aMusic for Dance.1 aPaisible, James,d1656?-1721.7 dmusdif008gurn:hdl:loc.music/musdi.008uhttp://hdl.loc.gov/loc.music/musdi.0082http  k l m n7o7pPqM  avj01 06-15-98  asmcd/musdieammem01282cam  22002531  4500001001800000003000400018005001700022007000700039008004100046010002200087040001800109050001700127245004800144260003500192300001800227520042700245530012500672650002200797650004500819856009000864906002400954955002800978985002201006ca 05001944 //r98DLC19980618153622.1cr||||781018s1874    nyu           000 0 eng    aca 05001944 //r98  aDLCcDLCdDLC00aGV1751b.D1704aThe dancer's guide and ball-room companion.  aNew York,bF. M. Reedc[c1874]  a27 p.c15 cm.  aThis manual is a compilation of previously published materials.  The guide begins with a brief description of the necessary arrangements for a ball, appropriate dress for men and women, and ballroom etiquette.  The work continues with dances such as the quadrille, waltz, varsoviana, polka, schottisch, "Cellarius Waltz," and dances for larger groups of dancers--"Spanish Dance," "La Tempete," and "Sir Roger de Coverley."  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aBallroom dancing. 4aDance Instruction and Technical Manuals.7 dmusdif009gurn:hdl:loc.music/musdi.009uhttp://hdl.loc.gov/loc.music/musdi.0092http  k l mxn7o7pPqM  aNEW INPUT th16 05-18-98  asmcd/musdieammem01332cam  22003131  4500001001300000003000400013005001700017007000700034008004100041010001700082040001800099050001700117100002600134245007100160246009200231260004500323300003900368500001700407520024100424530008600665650002400751650004400775650002200819856009000841906002400931955002800955985002200983985001301005   98156040 DLC19980618153723.5cr||||980601s1894    orua          000 0aeng    a   98156040   aDLCcDLCdDLC00aGV1753b.F711 aForeman, H. A.,cMrs.10aIllustrated portfolio of artistic dancing /cby Mrs. H.A. Foreman.15aFew sketches of the interior and work done at Foreman Hall, Portland, Oregon, 1894-1895  aPortland, Ore. :bPeaslee Bros.,cc1894.  a[22] leaves :bill. ;c24 x 30 cm.  aCover title.  aThis is a book of twelve photographs showing Mrs. Foreman's dance students in a variety of dance poses including "The Persian Vestal Dance," "The Minuet," "Society Skirt Dance," "Butterfly Skirt Dance," "The Cacucha," and "Scarf Dance."  aAvailable also through the Library of Congress Web site as facsimile page images. 0aDancexPhotographs. 4aDance Instruction and Physical Culture. 4aTheatrical Dance.7 dmusdif010gurn:hdl:loc.music/musdi.010uhttp://hdl.loc.gov/loc.music/musdi.0102http  k l m n7o7pPqM  aNEW INPUT th16 05-20-98  asmcd/musdieammem  aAPIF/MIG01542cam  22003131  4500001001900000003000400019005001700023007000600040008004100046010002300087040001800110050001600128245011100144250002000255260007100275300002900346500003400375530011500409520037000524650001100894650001900905650003200924650004500956700005201001700003901053856009001092906002401182985002201206ca 05001785 //r943DLC19941104091228.8cr|||781018s1863    meu           000 0 eng    aca 05001785 //r943  aDLCcDLCdDLC00aGV1767b.B304aThe ball-room manual of contra dances and social cotillons,bwith remarks on quadrilles and Spanish dance.  aVest pocket ed.0 aBelfast, Me.,bH. G. O. Washburn;aBoston,bG. W. Cottrell,c1863.  aiv, [5]-30, ii p.c8 cm.  aIntroduction signed: W. H. Q.  aAvailable on the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML.  aThe publisher of this tiny manual (called a "vest pocket edition") notes that of the many books available to the dancing public, few contain "the good old contra dances of our ancestors." To remedy the situation, the manual gives figures for fifty-six English country dances, group dances consisting of figures performed by a column of men facing a column of women. 0aDance. 0aCountry-dance. 0aMiniature booksxSpecimens. 4aDance Instruction and Technical Manuals.10aWashburn, Harrison Gray Otis,d1811-1866,epub.10aQuimby, William Henry,d1831-1857.7 dmusdif011gurn:hdl:loc.music/musdi.011uhttp://hdl.loc.gov/loc.music/musdi.0112http  k l mxn7o7pPqM  asmcd/musdieammem01398cam  22002651  4500001001800000003000400018005001700022007000700039008004100046010002200087040001800109050002200127100002200149245004000171260004700211300002700258530012500285520050200410650001100912650004500923856009000968906002401058955002801082985002201110   45033825 //r94DLC19980618153904.5cr||||781018s1873    nyua          000 0 eng    a   45033825 //r94  aDLCcDLCdDLC00aGV1751b.D61 18731 a[Dodworth, Allen]10aAssistant for A. Dodworth's pupils.  aNew-York,bNesbitt & co., printers,c1873.  a48 p.bdiagrs.c10 cm.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML.  aThis small, pocketsize manual was intended for the students of well-known New York dancing master and composer Allen Dodworth.  The manual states the rules for classes, gives Dodworth's qualifications as a teacher, and describes appropriate manners and etiquette.  Dances include the quadrille and the popular parlor game known as the German as well as a section on how to dance the "Boston," a waltz variation.  As is common in all of Dodworth's works, the author gives ample advice to musicians. 0aDance. 4aDance Instruction and Technical Manuals.7 dmusdif012gurn:hdl:loc.music/musdi.012uhttp://hdl.loc.gov/loc.music/musdi.0122http  k l mxn7o7pPqM  aNEW INPUT th16 05-18-98  asmcd/musdidammem01519cam  22002771  4500001001800000003000400018005001700022007000700039008004100046010002200087040001800109050001600127100004500143245004300188260004400231300001800275500001700293520060500310530012500915650001101040650002601051856009001077906002401167955002801191985002201219   21015563 //r98DLC19980618154128.5cr||||781018s1921    ksu           00010 eng    a   21015563 //r98  aDLCcDLCdDLC00aGV1741b.A31 aAdams, R. A.q(Revels Alcorn),db. 1869.14aThe social dance,cby Dr. R. A. Adams.  aKansas City, Kan.,bThe author,cc1921.  a32 p.c20 cm.  aCover title.  aThis antidance treatise is divided into four parts.  The first part discusses the physical effects of the dance and the author concludes that habitual dancers are sick more often and women are more prone to "female weaknesses."  The second section focuses on the dangers of dance on the mind and concludes that many girls fail in school because they dance too much.  In the Third section, the author argues that dance is immoral and "fires the passions of young women."  The concluding section is devoted to detailing passages in the Scriptures that the author interprets as supporting his arguments.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDance. 4aAntidance Literature.7 dmusdif017gurn:hdl:loc.music/musdi.017uhttp://hdl.loc.gov/loc.music/musdi.0172http  k l mxn7o7pPqM  aNEW INPUT th16 05-21-98  asmcd/musdieammem01440cam  22002771  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001600129100004500145245031600190260004800506300001900554530008600573520027200659650003200931650002600963856009000989906002401079952000901103955002801112985002201140   11020024 //r983DLC19980618154422.1cr||||790302s1750    gw            00010 ger    a   11020024 //r983  aDLCcDLCdDLC00aGV1590b.B71 aBogatzky, Carl Heinrich von,d1690-1774.00aSchriftsmèassige beantwortung der frage: Was von dem weltèublichen tanzen und spielen zu halten sey und ob es nicht mit zur christlichen freyheit gehèore?cals ein anhang zu den betrachtungen von der freyheit der glèaubigen vom gesetz auf verlangen entworfen und in druck gegeben von Carl Heinrich von Bogatzky.  aHalle,bIn verlag des Wèaysenhauses,c1750.  a192 p.c18 cm.  aAvailable also through the Library of Congress Web site as facsimile page images.  aThis manual is an early German example of the literature against the practice of dancing.  In this case, Bogatzky (1690-1774) compares gambling with dancing, and asks the reader to consider these practices in the context of Scripture, especially the Ten Commandments. 0aDancexEarly works to 1800. 4aAntidance Literature.7 dmusdif022gurn:hdl:loc.music/musdi.022uhttp://hdl.loc.gov/loc.music/musdi.0222http  k l mxn7o7pPqM  aFLIP  aNEW INPUT th16 05-18-98  asmcd/musdieammem01628cam  22002771  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001600129100001900145245005100164260006000215300001800275500002800293520068400321530012501005650003001130650002601160856009001186906002401276955002801300985002201328   10004416 //r983DLC19980618154452.9cr||||781018s1606    fr            000 0 fre    a   10004416 //r983  aDLCcDLCdDLC00aGV1740b.B71 aBoiseul, Jean.00aTraittâe contre les danses.cPar Jean Boiseul.  aLa Rochelle,bLes heritiers de Hierosme Havltin,c1606.  a50 p.c16 cm.  aPrinter's mark on t.-p.  aAn early example of an antidance treatise, this manual provides a foundation for arguments that continued to the end of the nineteenth century--that dancing is a sin against God.  Much of Boiseul's argument is based on biblical examples (chapters and verses are noted in the margins of each page).  While acknowledging that dance is mentioned in the Bible, the author is quick to point out that the dances were "joyous and spontaneous" and very different from the seventeenth-century social dances of his day.  The courante, branle, and galliard come under specific attack.  Additionally, Boiseul makes particularly strong arguments against the dances of non-Christian "savages."  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDancexReligious aspects. 4aAntidance Literature.7 dmusdif023gurn:hdl:loc.music/musdi.023uhttp://hdl.loc.gov/loc.music/musdi.0232http  k l mxn7o7pPqM  aNEW INPUT th16 05-18-98  asmcd/musdieammem01693cam  22002891  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001700129082001000146100002500156245035700181260005500538300003600593520037000629530012500999650003201124650003801156650004501194856009001239906002401329955002801353985002201381   34022338 //r982DLC19980618154524.5cr||||781018s1767    bl            00010 por    a   34022338 //r982  aDLCcDLCdDLC00aGV1590b.B7300a763.31 aBonem, Natal Jacome.10aTratado dos principaes fundamentos da danðca,bobra muito util, naäo sâomente para esta mocidade, que quer aprender a danðcar bem, mais ainda para as pessoas honestas, e polidas, as quaes ensina as regras para bem andar, saudar, e fazer todas as cortezias, que convem em as assembleas adonde o uzo do mundo a todos chama ...cPor Natal Jacome Bonem ...  aCoimbra,bNa Officina dos irmaäos Ginhoens,c1767.  a6 p. l., 3-138 p., 3 l.c16 cm.  aPortuguese dancing master Bonem's manual borrows from the work of contemporary French sources, including dancing masters Guillaume-Louis Pecour and Pierre Rameau.  The manual's fourteen chapters focus on dance in the court of Louis XIV and include discussion on feet positions, bows appropriate for various occasions, and the steps and arm positions for the minuet.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDancexEarly works to 1800. 0aSalutationsxEarly works to 1800. 4aDance Instruction and Technical Manuals.7 dmusdif024gurn:hdl:loc.music/musdi.024uhttp://hdl.loc.gov/loc.music/musdi.0242http  k l mxn7o7pPqM  aNEW INPUT th16 05-18-98  asmcd/musdieammem01648nam  22003131  4500001001300000003000400013005001700017007000700034008004100041010001700082040001300099043001200112050001600124100002700140245003900167246002700206250004500233260007000278300001800348520055200366530012500918650003001043650007101073650002601144856009001170906002401260955002801284985002201312   17025260 DLC00000000000000.0cr||||980603s1917    ilu           000 0 eng    a   17025260   aDLCcDLC  an-us-il00aGV1623b.B71 aBowen, Louise W. de K.04aThe public dance halls of Chicago.30aDance halls of Chicago  aRev. ed.bText by Louise de Koven Bowen.  a[Chicago]bThe Juvenile Protective Association of Chicago,c1917.  a13 p.c23 cm.  aThis is a revised edition of a work based on an investigation done in 1910 regarding the conditions of public dance halls in Chicago.  Bowen's complaints included the late hours, too much liquor, and the general behavior of men noting, "... men wear their hats; they all smoke and expectorate freely."  She also suggests the waiters and other employees provide information on the location of "disreputable lodging houses," and delivers condemnation against masquerade and fancy dress balls because many women were found "attending in male attire."  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDancezIllinoiszChicago. 0aMusic-halls (Variety-theaters, cabarets, etc.)zIllinoiszChicago. 4aAntidance Literature.7 dmusdif025gurn:hdl:loc.music/musdi.025uhttp://hdl.loc.gov/loc.music/musdi.0252http  k l m n7o7pPqM  aNEW INPUT th16 05-20-98  asmcd/musdieammem01349cam  22002891  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111043001200129050002200141100003900163245007900202250001200281260003100293300001700324520038400341530012500725650001900850650002600869856009000895906002400985955002801009985002201037   45027827 //r982DLC19941107163152.7cr||||781018s1863    fr            00010 fre    a   45027827 //r982  aDLCcDLCdDLC  ae-fr---00aGV1649b.B75 18630 aBrieux Saint-Laurent,cvicomte de.00aQuelques mots sur les danses modernes,cpar le vte de B. Saint-Laurent ...  a4. âed.  aParis,bC. Douniol,c1863.  a6 p.c16 cm.  aThis is a fourth edition of a book that acknowledges other antidance tracts including Boullay's Râeforme de las danse des salons; Gustave Louis's Physiologie de l'opinion, and La Chrâetienne de nos jours by l'Abbâe Bautain.  The author notes, with some disdain, that the waltz was introduced into France "par les impures du Directoire" (p. 8).  The polka also receives criticism.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDancezFrance. 4aAntidance Literature.7 dmusdif026gurn:hdl:loc.music/musdi.026uhttp://hdl.loc.gov/loc.music/musdi.0262http  k l mxn7o7pPqM  aNEW INPUT th16 05-18-98  asmcd/musdieammem01388cam  22002651  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001600129100004900145245004700194260003900241300001900280520047800299530012500777650003000902650002600932856009000958906002401048955002801072985002201100   22004142 //r983DLC19980618154639.7cr||||781018s1869    mou           000 0 eng    a   22004142 //r983  aDLCcDLCdDLC00aGV1741b.B81 aBrookes, James H.q(James Hall),d1830-1897.10aMay Christians dance?cBy Jas. H. Brookes.  aSt. Louis,bJ. W. McIntyre,c1869.  a143 p.c16 cm.  aThis is a typical example of the antidance literature that was published during the nineteenth century.  Although Brookes provides a weak defense of dancing, his final conclusion is that the large assemblies, indelicate dressing, "unwarrantable freedom of intercourse between the sexes," as well as uncontrolled excitement, leads to a thorough worldliness and, ultimately, to the forgetfulness of God.  The manual was reissued in the 1890s under the title The modern dance.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDancexReligious aspects. 4aAntidance Literature.7 dmusdif028gurn:hdl:loc.music/musdi.028uhttp://hdl.loc.gov/loc.music/musdi.0282http  k l mxn7o7pPqM  aNEW INPUT th16 05-18-98  asmcd/musdieammem01744cam  22003851  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111043001200129050001400141050001600155110001900171240007000190245016700260246006000427260002100487300002200508500001700530520022000547530012500767650005900892650010000951650003801051710003701089710004201126856009001168906002401258952000901282955002801291985001701319985002201336   27013078 //r987DLC19980618155145.3cr||||781018s1914    nyu           00010 eng    a   27013078 //r987  aDLCcDLCdDLC  an-us-ny10aKFX1196.100aGV1623b.B81 aBuffalo (N.Y.)10aOrdinances governing the conduct of public dances and dance halls10aDance halls.bOrdinances governing the conduct of public dances and dance halls, city of Buffalo.cIssued by the Common Council. Daniel J. Sweeney, city clerk ...1 iTitle on p. 1:aDance ordinances of the city of Buffalo  a[Buffalo,c1914]  a12 p.c14 x 8 cm.  aCover title.  aIssued from the Buffalo, New York, City Clerk's office on 14 December 1914, the ordinance defines requirements for a public dance hall, including license fees, security, alcohol prohibitions, and hours of operation.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDancexLaw and legislationzNew York (State)zBuffalo. 0aMusic-halls (Variety-theaters, cabarets, etc.)xLaw and legislationzNew York (State)zBuffalo. 4aDance Ordinances and Regulations.10aBuffalo (N.Y.).bCommon Council.10aBuffalo (N.Y.).bCity Clerk's Office.7 dmusdif031gurn:hdl:loc.music/musdi.031uhttp://hdl.loc.gov/loc.music/musdi.0312http  k l mxn7o7pPqM  aFLIP  aNEW INPUT th16 05-21-98  ana22 4-11-90  asmcd/musdieammem01695cam  22003011  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001600129100004500145245011200190260002000302300004200322500002000364500019900384520046700583530008601050650004101136650003001177650002201207856009001229906002401319955002801343985002201371   09013370 //r983DLC19980623135008.2cr||||781018r17461736it            000 0 ita    a   09013370 //r983  aDLCcDLCdDLC00aGV1607b.B81 aBurette,cM.q(Pierre Jean),d1665-1747.00aPrima, e seconda memoria per servire alla istoria del ballo degli antichi,cdel signor Burette. np0s. II.  aVenezia,c1746.  a1 p. l., 33-44, 33-42 p.c25 x 19 cm.  aTitle vignette.  aPreviously published in the Acadâemie royale des inscriptions et belles-lettres. Histoire, avec les Mâemoires de littâerature tirez des registres de cette Acadâemie. Paris, 1736. t.I, p. 93-135.  aIn this history of dance, Burette (1665-1747) presents an extensive discussion on Greek and Roman dance, basing his information on literary references such as the Iliad and authors such as Lucian. Included in the discussion are tragic and serious ballet, satire, and pantomime. While this text illuminates the importance of Greek and Roman influence on the arts of the mid-eighteenth century, modern dance scholars will find many interpretive and factual errors.  aAvailable also through the Library of Congress Web site as facsimile page images. 0aDancexHistoryxEarly works to 1800. 4aDance History and Theory. 4aTheatrical Dance.7 dmusdif032gurn:hdl:loc.music/musdi.032uhttp://hdl.loc.gov/loc.music/musdi.0322http  k l mxn7o7pPqM  aNEW INPUT tp02 06-15-98  asmcd/musdieammem01534cam  22003251  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001700129110003400146245004100180260007200221300003700293500001700330520042600347530012500773650002000898650001400918650002100932650004500953650002200998650002401020856009001044906002401134955002801158985002201186   06010517 //r982DLC19980623135030.2cr||||781018s1906    nyuaf         000 0 eng    a   06010517 //r982  aDLCcDLCdDLC00aGV1737b.B962 aButterick Publishing Company.00aMasquerades, tableaux and drills ...  aNew York [etc.]bThe Butterick publishing company, limited,cc1906.  a144 p. incl. illus., pl.c24 cm.  aCover-title.  aThis manual provides step-by-step instructions, augmented by numerous illustrations, for giving masquerades, conducting tableaux, and creating "fancy drills." Costumes, hair styles, and accessories are included for Calico and Martha Washington balls, Joan of Arc, a football player, Beau Brummel, and a shepherdess. Additionally, the manual provides suggestions for tableaux scenes and living pictures ("pose plastique").  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aBalls (Parties) 0aTableaux. 0aMarching drills. 4aDance Instruction and Technical Manuals. 4aTheatrical Dance. 4aNotation for Dance.7 dmusdif033gurn:hdl:loc.music/musdi.033uhttp://hdl.loc.gov/loc.music/musdi.0332http  k l mxn7o7pPqM  aNEW INPUT tp02 06-15-98  asmcd/musdieammem01771cam  22002771  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050003200129100003500161245009300196260005200289300001700341520075300358530012501111650004101236650003001277650002201307856009001329906002401419955002801443985002201471   08012053 //r982DLC19980623135059.5cr||||781018s1754    fr            000 0 fre    a   08012053 //r982  aDLCcDLCdDLC00aGV1600b.C2u<Rare Bk Coll>1 aCahusac, Louis de,d1706-1759.03aLa danse ancienne et moderne,bou Traitâe historique de la danse.cPar m. de Cahusac ...  aA La Haye [i.e. Paris]bchez J. Neaulme,c1754.  a3 v.c14 cm.  aThis three-volume work on dance history describes dance from its origins through the court fãetes of Louis XIV. Volume one stresses the importance of studying the theories of all the arts and covers the dance history of numerous ancient civilizations including Greek, Roman, Turkish, and Egyptian. Volume two describes the renaissance of the arts and the origins of ballet to 1610. Volume three focuses on dance in the court of Henri IV and the establishment of French opera. Cahusac borrows heavily from other writers, especially Philippe Quinault. Although by twentieth-century scholastic standards, Cahusac's interpretations may be problematic, the work formed the foundation for much of the writing on dance history until the twentieth century.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDancexHistoryxEarly works to 1800. 4aDance History and Theory. 4aTheatrical Dance.7 dmusdif034gurn:hdl:loc.music/musdi.034uhttp://hdl.loc.gov/loc.music/musdi.0342http  k l mxn7o7pPqM  aNEW INPUT tp02 06-15-98  asmcd/musdieammem01772cam  2200301 a 4500001001800000003000400018005001700022007000700039008004100046010002200087040001800109050002300127082001400150100002500164245037700189246002500566260004600591300002900637530008600666520049600752650001101248650001701259650004501276856009101321906002401412985002201436985001201458   82175214 //r94DLC19980623135201.1cr||||821223s1882    paua          000 0 eng    a   82175214 //r94  aDLCcDLCdDLC00aGV1751b.C29 1882b00a793.32191 aCarpenter, Lucien O.10aJ.W. Pepper's universal dancing master, prompter's call book and violinist's guide :bcontaining a description of all the figures and full explanation of the different steps used in dancing, together with the music of all the principal dances, arranged for violin, with the prompter's calls printed on each dance just where they occur in dancing /cby Lucien O. Carpenter.30aPrompter's call book  aPhiladelphia, Pa. :bJ.W. Pepper,cc1882.  a110 p. :bill. ;c27 cm.  aAvailable also through the Library of Congress Web site as facsimile page images.  aThis manual is a compilation of previously published materials and its contents are typical of similar books published during the 1880s.  The standard etiquette for balls has been reduced to simple rules; for example, "A lady should not attend a public ball without an escort."  The manual continues with a discussion of the quadrille and round dances, including the waltz, Boston dip, Berlin, and polka.  This edition is an excellent source; over seventy pages of violin music are included. 0aDance. 0aDance music. 4aDance Instruction and Technical Manuals.7 dmusdif035gurn:hdl:loc.music/musdi.035uhttp://hdl.loc.gov/loc.jmusic/musdi.0352http  k l3mxn7o7pPqM  asmcd/musdieammem  aKEY/EKI01605cam  22002771  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001600129100002200145245015700167260004100324300004700365530012500412520056500537650001101102650002001113650003001133856009001163906002401253955002801277985002201305   42051324 //r982DLC19980327163313.5cr||||781018s1810    ie f          000 0 eng    a   42051324 //r982  aDLCcDLCdDLC00aGV1590b.C31 aCassidy, James P.12aA treatise on the theory and practice of dancing,bwith an appropriate poem, in two cantos, and plates illustrative of the art.cBy James P. Cassidy ...  aDublin,bPrinted by W. Folds,c1810.  a6 p. l., 88 p.bfront., 3 col. pl.c18 cm.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML.  aThe first section of this manual is devoted to a history of dance with emphasis on Greek and Roman practices.  However, much of this section is borrowed liberally from the writings of late eighteenth-century authors, and, while it illuminates the importance of Greek and Roman influence on the arts of the era, modern dance scholars will find many interpretive and factual errors.  Book two is a discourse on what Cassidy considers the practical aspects of dance: steps, music, and deportment.  There is also discussion on the minuet, reel, and country dances. 0aDance. 0aDancexHistory. 4aDance History and Theory.7 dmusdif036gurn:hdl:loc.music/musdi.036uhttp://hdl.loc.gov/loc.music/musdi.0362http  k l mxn7o7pPqM  aNEW INPUT tp02 06-15-98  asmcd/musdieammem02194cam  22003371  4500001001900000003000400019005001700023008004100040010002300081040001800104050001600122100002300138245018200161260003600343300005900379530012500438520081700563530012401380650002001504650003001524650002201554650002401576650002101600700002001621700003101641700002001672856009001692906002401782955002801806985002201834   10030390 //r984DLC19980623135346.2781018s1899    fr af         000 0 fre    a   10030390 //r984  aDLCcDLCdDLC00aGV1601b.C61 aCharbonnel, Raoul.13aLa danse.bComment on dansait, comment on danse.cTechnique de Mme Berthe Bernay ... notation musicale de MM. Francis Casadesus et Jules Mauguâe. Illustrations de M. Valvâerane.  aParis,bGarnier fráeresc[1899]  aix, 418 p.bfront., illus., plates (part col.)c28 cm.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML.  aThis manual is an extensive history of dance that incorporates many countries, cultures, and periods including Chinese, Hindu, Egyptian, Greek, ancient Gaul, European Renaissance, and Baroque.  The manual also covers popular culture, peasant dance, and "foreign dance." The perspective of this manual is clearly nineteenth century, with little emphasis on historical fact. The point of view is clearly western, and this is evident in the music examples that accompany almost every country or culture's entry--all have been subjected to western notation and are arranged in late nineteenth-century grand musical style. Additionally, the text includes numerous illustrations and, no matter the country or culture, the figures are physically shaped to look like late nineteenth-century western ladies and gentlemen.  aAvailable also through the Library of Congress Web site in two forms: as facsmile page images and as full text in SGML. 0aDancexHistory. 4aDance History and Theory. 4aTheatrical Dance. 4aNotation for Dance. 4aMusic for Dance.1 aBernay, Berthe.1 aCasadesus, Francis,d1870-1 aMauguâe, Jules.7 dmusdif041gurn:hdl:loc.music/musdi.041uhttp://hdl.loc.gov/loc.music/musdi.0412http  k l mxn7o7pPqM  aNEW INPUT tp02 06-15-98  asmcd/musdieammem01656cam  22002891  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111043001200129050001700141100005000158245030800208260003500516300002900551530008600580520038500666561006701051650003901118650004501157856009001202906002401292955002801316985002201344   54055192 /L/r98DLC19980623135421.0cr||||980606s1893    rura          000 0 ruso   a   54055192 /L/r98  aDLCcDLCdDLC  ae-ur---00aGV1751b.C431 aChistëiìakov, A. D.q(Aleksandr Dmitråievich)10aMetodicheskoe rukovodstvo k obuchenåiëiìu tanëtìsam v sredne-uchebnykh zavedenåiëiìakh :bs prilozhenåiem rukovodstva dlëiìa dirizherov s 157-ëiìu figurami dlëiìa kadrilëiìa, mazurki, val§sa, pol§ki i kotil§ona : posobåie dlëiìa uchiteleæi tanëtìsev v kadetskikh korpusakh /csostavil A.D. Chistëiìakov.  aS.-Peterburg :b[s.n.],c1893.  a189 p. :bill. ;c23 cm.  aAvailable also through the Library of Congress Web site as facsimile page images.  aThis is an important Russian manual describing social dance practices including descriptions of the basic movements and positions used in ballroom dance and various dance types including the polka, waltz, and mazurka. The book incorporates a discussion of the dance instruction in athletic programs and for young men in military academies. Numerous photographs enhance the manual.  aLC copy purchased from Gennadiæi Vasil§evich Yudin, 1906.5DLC 0aDancexStudy and teachingzRussia. 4aDance Instruction and Technical Manuals.7 dmusdif042gurn:hdl:loc.music/musdi.042uhttp://hdl.loc.gov/loc.music/musdi.0422http  k l m n7o7pPqM  aNEW INPUT ta05 06-06-98  asmcd/musdieammem02686ccm  2200565 a 4500001001900000003000400019005001700023007000700040008004100047010002300088028001600111028001600127028001600143028001600159028001600175028001600191028001600207028001600223028001600239028001600255040001800271041000800289043001200297050003200309051020300341100004100544245008300585246004000668246007600708260004200784300003300826500003100859510002500890500007900915500006600994530009701060500015701157500002101314500033101335650004001666650002001706650002701726650003501753856010201788906002401890908003501914952011601949955003302065985002202098   50044987 /M/r98DLC19980609144704.9cr||||980313m179u1815fr dfa   z     n           a   50044987 /M/r9820a12 JbFrere20a13 JbFrere20a15 JbFrere20a16 JbFrere20a17 JbFrere20a20 JbFrere20a23 JbFrere20a25 JbFrere20a26 JbFrere20a28 JbFrere  aDLCcDLCdDLC0 gfre  ae-fr---00aM286.C53bA13 1790zu<Case>  aM1450.J6bR4u<Case>cCopy 2. Recueil 15 only. With: 6. recueil de quatre quadrilles de nouvelles contre-danses / par J.C. Joly. A Paris : Chez Frere, 179-? Bound together subsequent to publication.1 aClarchies, Louis Julien,d1769-1814.10a15e.[-30e.] recueil des contre-danses et walzes /cpar Louis Julien Clarchies.30aRecueil des contre-danses et walzes0 iTitle on t.p. of recueil 28:a28e. recueil des contre-danses et waltzes  aA Paris :bChez Frere,c[179-?-1815?]  a1 score (30[?] v.) ;c19 cm.  aPrincipally for 2 violins.4 aRISM A/I/2,cC 2557.  aTitle from t.p. of recueil 15 (the number is in ms. on the engraved t.p.).  aRecueil 28 has variant publisher statement: Chez Frere páere.  aRecueil 28 available also through the Library of Congress Web site as facsimile page images.  aEach vol. of 45 p. contains several contre-danses, each accompanied by dance instructions, followed by several waltzes and (in most vols.) other dances.  aPl. no.: 1/30 J.  aLC set consists of recueils 12-13, 16-17, 20, 23, 25-26, and 28 bound together in reverse numerical order; only recueil 28 has retained its t.p. Between recueils 23 and 20 is bound a similar unidentified vol. (without pl. no.) containing contre-danses by Julien (Clarchies) and 4 other composers and unattributed waltzes.5DLC 0aViolin music (Violins (2))xScores. 0aCountry-dances. 0aCountry-dancezFrance. 0aWaltzes (Violins (2))xScores.7 3Recueil 28dmusdif043gurn:hdl:loc.music/musdi.043uhttp://hdl.loc.gov/loc.music/musdi.0432http  k l2m n7o7pmqu  a     m   e                      aIntended to be complete in 30 v.; note on t.p. of recueil 28 states it is the 1st of 3 planned posthumous vols.  avk07 03-11-98; vk05 03-17-98  asmcd/musdieammem01617cam  22002771  4500001001800000003000400018005001700022007000700039008004100046010002200087040001800109050001600127100005200143245009300195260005600288300005200344520057700396530012500973650001101098650004401109650002201153856009001175906002401265955002801289985002201317   03012510 //r98DLC19980623135456.3cr||||781018s1903    iauac         000 0 eng    a   03012510 //r98  aDLCcDLCdDLC00aGV1781b.C51 aClendenen, F. Leslieq(Frank Leslie),db. 1864.10aClendenen's treatise on elementary and classical dancing ...cBy F. Leslie Clendenen ...  aDavenport, Iowa,bInstructor publishing co.,c1903.  a174, [2] p.bfront. (port.) illus., pl.c21 cm.  aDancing master Clendenen's book is meant for teachers of dance and he covers the basic building blocks of teaching beginning with the positions of the feet and body. Technical terms (with correct pronunciation), preparatory exercises, bows and curtseys are included as well as sections of attitudes and poses, correct and incorrect positions. The manual concludes with instructions on how to teach ten fancy dances that include "Highland Fling," "Sailor's Hornpipe," "Twentieth-Century Skirt Dance," and "La Manola." The manual is illustrated with photographs of students.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDance. 4aDance Instruction and Physical Culture. 4aTheatrical Dance.7 dmusdif044gurn:hdl:loc.music/musdi.044uhttp://hdl.loc.gov/loc.music/musdi.0442http  k l m n7o7pPqM  aNEW INPUT tp02 06-15-98  asmcd/musdieammem01828cam  22002771  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001600129100005200145245016600197260005400363300005600417520071100473530012501184650001101309650004401320650002201364856009001386906002401476955002801500985002201528   19009859 //r982DLC19980623135533.3cr||||781018s1919    mouacf        000 0 eng    a   19009859 //r982  aDLCcDLCdDLC00aGV1751b.C61 aClendenen, F. Leslieq(Frank Leslie),db. 1864.14aThe art of dancing;bits theory and practice,cby F. Leslie Clendenen. Drawings by Mrs. Clendenen. Intended for amateurs as well as for professional teachers ...  a[St. Louis,bPrinted by Arcade print shop,c1919]  a149, [7] p.bfront. (port.) illus., plates.c20 cm.  aThis manual is a good example of the emphasis placed on physical fitness during the early twentieth century and, dancing master Clendenen notes "we have just won the greatest war known in history ... by efficiency, and physical excellence." The manual encourages teachers to instruct children "correct dancing and health movements." Clendenen describes a wide panorama of movement including pantomime and dramatic posture dances, Greek dancing, Hawaiian arm and Italian body exercises, rhythmic dancing, toe dancing, as well as nature and health exercises. The book also includes steps and choreographies for novelty dances such as "Russian Slavic Dance," "Dance of the Soul," and "Egyptian Posture Dance."  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDance. 4aDance Instruction and Physical Culture. 4aTheatrical Dance.7 dmusdif045gurn:hdl:loc.music/musdi.045uhttp://hdl.loc.gov/loc.music/musdi.0452http  k l mxn7o7pPqM  aNEW INPUT tp02 06-15-98  asmcd/musdieammem01546cam  22002891  4500001001800000003000400018005001700022007000700039008004100046010002200087040001800109050001700127100002700144245005700171260008300228300001900311520054100330530012500871650002200996650001101018650001901029650004401048856009001092906002401182955002801206985002201234ca 05001946 //r98DLC19781026000000.0cr||||781018s1878    mau           000 0 eng    aca 05001946 //r98  aDLCcDLCdDLC00aGV1751b.C631 aCleveland, C. H.,cJr.00aDancing at home and abroad.cBy C. H. Cleveland, jr.  aBoston,bO. Ditson & co.;aNew York,bC. H. Ditson & co.; [etc., etc.]cc1878.  a104 p.c20 cm.  aCleveland's manual opens with an interesting account of the building blocks required for setting up a successful private dancing academy. He includes discussion on the architectural requirements, music, progress of students, hours and division of classes, dealing with children, and how to manage balls. The second part of the manual covers "fashionable dances," and the author describes quadrilles, the "Boston Waltz," and twenty-nine figures for the German (also known as cotillon), a group dance comprised of a series of party games.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aBallroom dancing. 0aDance. 0aDance schools. 4aDance Instruction and Physical Culture.7 dmusdif046gurn:hdl:loc.music/musdi.046uhttp://hdl.loc.gov/loc.music/musdi.0462http  k l mxn7o7pPqM  aNEW INPUT tp02 06-15-98  asmcd/musdieammem01573cam  22003011  4500001001800000003000400018005001700022007000700039008004100046010002200087040001800109050002200127100002100149245006600170250002100236260003600257300006300293490002100356520049900377530012500876650002201001650004501023700003901068856009001107906002401197955002801221985002201249   22015822 //r98DLC19790119000000.0cr||||781018s1922    nyuac         000 0 eng    a   22015822 //r98  aDLCcDLCdDLC00aGV1751b.C65 19221 aColl, Charles J.00aDancing made easy,cby Charles J. Coll and Gabrielle Rosiere.  aNew and rev. ed.  aNew York,bE. J. Clodec[c1922]  a3 p. l., 11-277 p.bfront. (port.) illus., diagrs.c19 cm.0 aMade easy series  aThis is an expanded version of Coll's book that was originally published c. 1919. Beginning with an account of dance history ranging from the ancient Greeks to late nineteenth-century dance, Coll declares that some of "most up to the minute dances" include the Carter Waltz and the Schottisch Espagnole. The author also discusses foxtrot variations, the Virginia Reel, and provides some cotillon figures (also known as the German). The dances described by Coll were long out of fashion by 1922.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aBallroom dancing. 4aDance Instruction and Technical Manuals.1 aRosiere, Gabrielle,ejoint author.7 dmusdif048gurn:hdl:loc.music/musdi.048uhttp://hdl.loc.gov/loc.music/musdi.0482http  k l m n7o7pPqM  aNEW INPUT tp02 06-15-98  asmcd/musdieammem01497cam  2200277   4500001001800000003000400018005001700022007000700039008004100046010002200087040001800109050001700127100002600144245014600170260006200316300003600378520042500414530012500839650002200964650004500986650002401031856009001055906002401145955002801169985002201197   20016862 //r98DLC19790111000000.0cr||||781018s1920    enka          000 0 eng    a   20016862 //r98  aDLCcDLCdDLC00aGV1751b.C891 aCree, Aubrey McMahon.00aHandbook of ball-room dancing,cby Paymaster-Commander A. M. Cree, R.N., with an introduction by George Grossmith; illustrated with diagrams.  aLondon,bJohn Lane;aNew York,bJohn Lane company,c1920.  a2 p. l., 88 p.bdiagrs.c20 cm.  aThis manual is designed as a self-teacher for those who cannot or, according to the author, are unwilling to attend dance classes. Additionally, Cree declares the most popular dances to be the Lame Duck Valse, valse, one step, foxtrot, and lancers. Although he includes instructions for a Three Step or Straight Jazz, and a Tango Valse, the manual does not reflect dances that were being performed during the late teens.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aBallroom dancing. 4aDance Instruction and Technical Manuals. 4aNotation for Dance.7 dmusdif051gurn:hdl:loc.music/musdi.051uhttp://hdl.loc.gov/loc.music/musdi.0512http  k l mxn7o7pPqM  aNEW INPUT tp02 06-15-98  asmcd/musdieammem01634cam  22002771  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001600129100002400145245020700169260003400376300003300410520055200443530012500995650002001120650003001140650002201170856009001192906002401282955002801306985002201334   10017954 //r982DLC19980623135615.7cr||||790302s1862    ge a          000 0 ger    a   10017954 //r982  aDLCcDLCdDLC00aGV1601b.C81 aCzerwinski, Albert.00aGeschichte der tanzkunst bei den cultivirten vèolkern von den ersten anfèangen bis auf die gegenwèartige zeit.cVon Albert Czerwinski. Mit 34 in den text gedruckten abbildungen und 9 alten tanzmelodien.  aLeipzig,bJ. J. Weber,c1862.  aviii, 264 p.billus.c18 cm.  aIn this vast history of dance, Czerwinski discusses the origins of dance with Greek and Roman examples and continues with a description of the dances in many countries including Spain, France, Germany, England, Scotland, Sweden, Holland, Poland, Japan and Turkey. Specific dances include the galliard, galop, menuet, quadrille, waltz, and tarantella. Although the scholarship is flawed by contemporary standards, the work is part of a large body of literature that influenced the writing of dance history through the end of the nineteenth century.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDancexHistory. 4aDance History and Theory. 4aTheatrical Dance.7 dmusdif052gurn:hdl:loc.music/musdi.052uhttp://hdl.loc.gov/loc.music/musdi.0522http  k l mxn7o7pPqM  aNEW INPUT tp02 06-15-98  asmcd/musdieammem01492nam  22002651  4500001001800000003000400018005001700022007000700039008004100046010002200087040001300109050001700122100002500139245004500164260005400209300001900263520059900282530012500881650003001006650002601036856009001062906002401152955002801176985002201204   27003342 //r98DLC00000000000000.0cr||||980606s1899    nyu           000 0 eng    a   27003342 //r98  aDLCcDLC00aGV1741b.D261 aDavis, George,cRev.03aAn account of the trial of social dance.  aRondout, N.Y.,bK. Freeman printing house,c1899.  a46 pp.c23 cm.  aThe author of this work claims to be pastor of the Reformed Churches of Marbletown and North Marbletown as well as a lawyer. In this manual, Davis takes a novel approach in preaching his antidance position, which he calls "The Trial of Social Dance ... The only King and Potentate, Jesus Christ vs. Social Dance." The jury for this "trial" is composed of "The Public Conscience." "Witnesses" include Mr. Worldly Fun, Mr. Roman Catholic Bishop, Mr. Round Dancing Master, and Miss Chicago Barmaid. The trial proceeds and, in Davis's summary, the jury declares the defendant, social dance, guilty.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDancexReligious aspects. 4aAntidance Literature.7 dmusdif053gurn:hdl:loc.music/musdi.053uhttp://hdl.loc.gov/loc.music/musdi.0532http  k l mxn7o7pPqM  aNEW INPUT ta05 06-05-98  asmcd/musdieammem01665cam  22002891  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001600129100001500145245019900160250001500359260003900374300003500413520056200448530012501010650001101135650002001146650004501166856009001211906002401301955002801325985002201353   10030389 //r982DLC19980623135642.2cr||||781018q19001909fr a          000 0 fre    a   10030389 //r982  aDLCcDLCdDLC00aGV1593b.D51 aDesrat, G.00aTraitâe de la danse,bcontenant la thâeorie et l'histoire des danses anciennes et modernes, avec toutes les figures les plus nouvelles du cotillon,cpar Desrat. Illustrâe de nombreuses gravures.  aNouv. âed.  aParis,bH. Delarue et ciec[190-?]  a1 p. l., 206 p. illus.c16 cm.  aDesrat begins his work with a description of dances that were still in vogue at the turn of the century: Boston waltz, cake walk, Berlin, pas de patineurs, and Washington-Post (a two step). A history of ancient dance follows and the discussion begins with Greek and Roman origins; this is followed by a discussion of "modern dances," which Desrat describes as pavane, gavotte, branle, and the minuet. Much of Desrat's historical text is borrowed heavily from previously published sources including âElise Voirat's 1823 Essai sur la danse antique et moderne.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDance. 0aDancexHistory. 4aDance Instruction and Technical Manuals.7 dmusdif056gurn:hdl:loc.music/musdi.056uhttp://hdl.loc.gov/loc.music/musdi.0562http  k l mxn7o7pPqM  aNEW INPUT tp02 06-15-98  asmcd/musdieammem01781cam  2200325 a 4500001001300000003000400013005001700017007000700034008004100041010001700082040001800099041001300117050001600130130004200146245008600188260004200274300002800316530012500344520068500469650002001154650003001174650002201204700004501226856009001271906002401361922000701385955002801392985002201420985001301442   98158630 DLC19980615190412.6cr||||980609s1900    paua          000 0 eng    a   98158630   aDLCcDLCdDLC0 aenghfre00aGV1603b.D20 aDanse áa travers les ãages.lEnglish.14aThe dance, ancient and modern /ctranslated from the French by Arabella E. Moore.  aPhiladelphia, Pa. :bA. Moore,c1900.  a32 p. :bill. ;c23 cm.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML.  aTranslated from French by Arabella E. Moore, this is an example of the growing body of historiographical texts that began to appear in the late 1890s into the turn of the twentieth century. The work borrows heavily from previously published materials for sections on primitive and ancient dances. As with other authors of this era, "modern dances" are considered to be pavane, gavot, rigodon, and minuet. In keeping with a renewed interest in the reconstruction of Renaissance and Baroque dances, the manual includes a chapter, "Revival of Popular Old Dances." A chapter on "contemporary dances" includes polka quadrilles, Boston, mazurka, and cotillon (also known as the German). 0aDancexHistory. 4aDance History and Theory. 4aTheatrical Dance.1 aMoore, Arabella E.q(Arabella Elizabeth)7 dmusdif058gurn:hdl:loc.music/musdi.058uhttp://hdl.loc.gov/loc.music/musdi.0582http  k l m n7o7pPqM  aco  aNEW INPUT vj01 06-09-98  asmcd/musdieammem  aAPIF/MIG01557cam  22002891  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001700129100002100146245005200167250005400219260006400273300003400337500001700371520052000388530012500908650004401033650002601077856009001103906002401193955002801217985002201245   22011682 //r983DLC19941114141140.0cr||||781018s1921    pauac         000 0 eng    a   22011682 //r983  aDLCcDLCdDLC00aGV1741b.D751 aDrumm, Melvin C.14aThe modern dance and what shall take its place.  aRev. and enl. 2d ed.bBy Rev. Melvin C. Drumm ...  a[Center Hall, Pa.,bCenter Reporter printing office,c1921]  a15 p.billus. (port.)c23 cm.  aCover title.  aThis manual consists of a sermon presented at Saint Luke's Lutheran Church, on 13 February 1921 in Centre Hall, Pennsylvania. This antidance work argues that dance is injurious to the health, is usually accompanied by drinking alcohol, and forces young men to stray from serious reflection and prayer. Typical of this genre of literature, the book contains testimonials from numerous denominations including the Roman Catholic Church, Episcopal Church, Baptist Church, Presbyterian Church, and the Methodist Church.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDancexReligious aspectsxChristianity. 4aAntidance Literature.7 dmusdif059gurn:hdl:loc.music/musdi.059uhttp://hdl.loc.gov/loc.music/musdi.0592http  k l mxn7o7pPqM  aNEW INPUT tp02 06-15-98  asmcd/musdieammem01687cam  22002891  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050003200129100003100161245013800192260004900330300003800379520056800417530012500985650003201110650004501142650002201187650002401209856009001233906002401323955002801347985002201375   09001083 //r982DLC19941114141904.0cr||||781018s1728    it a          000 0aita    a   09001083 //r982  aDLCcDLCdDLC00aGV1590b.D8u<Rare Bk Coll>1 aDufort, Giovanni Battista.10aTrattato del ballo nobilecdi Giambatista Dufort, indirizzato all' eccellenza delle signore dame, e de' signori cavalieri napoletani.  aNapoli,bNella stamperia di F. Mosca,c1728.  a12 p. l., 160 p.bdiagrs.c18 cm.  aPart one of this text consists of thirty-four chapters devoted to instructions for steps required in Italian Baroque dance including pirola (pirouette), sfuggito (echappâe), passo unite (assemblâe), and cadente (tombâe). Each step is fully described and notated in Feuillet notation, the dance notation system first published by French choreographer Raoul-Auger Feuillet in 1700. The second part of the manual contains six chapters devoted to performance of the minuetto (minuet) and concludes with a section on the contradanza (contredanse) and riverenze (bows).  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDancexEarly works to 1800. 4aDance Instruction and Technical Manuals. 4aTheatrical Dance. 4aNotation for Dance.7 dmusdif060gurn:hdl:loc.music/musdi.060uhttp://hdl.loc.gov/loc.music/musdi.0602http  k l mxn7o7pPqM  aNEW INPUT tp02 06-15-98  asmcd/musdieammem01291cam  2200277   4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001600129100003300145245014100178260004400319300002900363520026100392530012500653650001100778650001600789650004400805856009000849906002400939955002800963985002200991   20001561 //r983DLC19980623135739.1cr||||790320s1914    fr            000 0 fre    a   20001561 //r983  aDLCcDLCdDLC00aGV1798b.D81 aDuncan, Raymond,d1874-1966.13aLa danse et la gymnastique,cpar Raymond Duncan; confâerence faite le 4 mai 1914, áa l'Universitâe hellâenique, Salle de gâeographie ...  aParis,bAkademia Raymond Duncan,c1914.  a1 p. l., [18] p.c22 cm.  aOriginally an address, given by the brother of famed dancer, Isadora Duncan, at a conference in May 1914 at the Universitâe Hellenique, Duncan discusses the renaissance and importance of gymnastics and the systems of physical culture based on Greek models.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDance. 0aGymnastics. 4aDance Instruction and Physical Culture.7 dmusdif062gurn:hdl:loc.music/musdi.062uhttp://hdl.loc.gov/loc.music/musdi.0622http  k l mxn7o7pPqM  aNEW INPUT tp02 06-15-98  asmcd/musdieammem01339cam  22002651  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001700129100002400146245005000170260004700220300002700267520045300294530012500747650001100872650002600883856009000909906002400999955002801023985002201051   16023227 //r985DLC19941115095943.1cr||||781018s1916    caua          000 0 eng    a   16023227 //r985  aDLCcDLCdDLC00aGV1741b.F271 aFaulkner, Thomas A.14aThe lure of the dance,cby T. A. Faulkner ...  aLos Angeles, Cal.,bT.A. Faulknerc[c1916]  a148 p.billus.c18 cm.  aThis is the second antidance treatise published by ex-dancing master Faulkner, which he suggests was needed "because the dance craze has developed with such incredible rapidity."  This book consists of large sections taken from his earlier book, From the ballroom to hell.  Much of Faulkner's diatribe consists of testimonials against women, whom he feels need to be protected from dancing, "one of the most irresistible and dangerous attractions."  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDance. 4aAntidance Literature.7 dmusdif065gurn:hdl:loc.music/musdi.065uhttp://hdl.loc.gov/loc.music/musdi.0652http  k l mxn7o7pPqM  aNEW INPUT th12 05/13/98  asmcd/musdieammem01666cam  22002891  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001600129100002900145245032700174260002500501300005400526520043800580530008601018650001801104650004501122650002401167650002101191856009001212906002401302955002801326985002201354   07021142 //r982DLC19800701000000.0cr||||781018s1772    gw fg         000 0 ger    a   07021142 //r982  aDLCcDLCdDLC00aGV1601b.F31 aFeldtenstein, C. J. von.00aErweiterung der kunst nach der chorographie zu tanzen, tèanze zu erfinden, und aufzusetzen;bwie auch anweisung zu verschiedenen national-tèanzen; als zu englischen, deutschen, schwèabischen, pohlnischen, hannak- masur-kosak- und hungarischen; mit kupfern; nebst einer anzahl englischer tèanze.cVon C. J. v. Feldtenstein.  aBraunschweig,c1772.  a109, [1] p.bviii fold. pl. (incl. music)c17 cm.  aOriginally published in 1767 under the title Die Kunst nach der Choregraphie zu Tèanze, Feldtenstein's manual utilizes text and tables to describe basic steps.  The work includes figures for country dances and quadrilles, and a variety of national dances as well as figures and music for four contredanses.  This manual is especially important for its description of the minuet as a duet and its subsequent change into a group dance.  aAvailable also through the Library of Congress Web site as facsimile page images. 0aFolk dancing. 4aDance Instruction and Technical Manuals. 4aNotation for Dance. 4aMusic for Dance.7 dmusdif066gurn:hdl:loc.music/musdi.066uhttp://hdl.loc.gov/loc.music/musdi.0662http  k l mxn7o7pPqM  aNEW INPUT th12 05/13/98  asmcd/musdieammem01725cam  22002771  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001700129100004400146245011500190260002900305300001900334530012500353520073300478650002001211650003001231650002201261856009001283906002401373955002801397985002201425   05035049 //r985DLC19980623140344.2cr||||790302s1854    fr            000 0 fre    a   05035049 //r985  aDLCcDLCdDLC00aGV1601b.F431 aFertiault, F.q(Franðcois),d1814-1915.00aHistoire anecdotique et pittoresque de la danse chez les peuples anciens et modernes ...cPar F. Fertiault ...  aParis,bA. Aubry,c1854.  a128 p.c16 cm.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML.  aLarge portions of this manual on the history of dance are borrowed from other sources including Mme âElise Voiart's Essai sur la danse.  The author begins with an examination of Greek and Roman dance and continues through the court dances of Louis XII and Catherine de Mâedicis.  The discussion on French theatrical dance includes mention of two well-known ballerinas, Fanny Elssler and Fanny Cerrito.  A wide range of Renaissance and Baroque dances is discussed including the gavotte, pavane, sarabande, chaconne, and gailliard.  This manual is typical of other similar publications in that substantial discussion is given to dance practices in foreign lands including China, Switzerland, England, Ireland, Hungary, and Russia. 0aDancexHistory. 4aDance History and Theory. 4aTheatrical Dance.7 dmusdif068gurn:hdl:loc.music/musdi.068uhttp://hdl.loc.gov/loc.music/musdi.0682http  k l mxn7o7pPqM  aNEW INPUT th12 05/13/98  asmcd/musdieammem02699cam  22003971a 4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111041001100129050003500140082001600175100004500191240006100236245049300297260010000790300005000890500002500940500006800965500011801033520070401151530008601855650001901941650002001960650004501980650002402025650002102049700001702070740002802087856009002115906002402205952005002229985002202279   81480220 //r983DLC19980623140421.2cr||||810824s1710    enkg          000 0 eng    a   81480220 //r983  aDLCcDLCdDLC1 aengfre00aGV1763b.F413 1710u<Mus Case>00a793.3/12191 aFeuillet, Raoul-Auger,d1659 or 60-1710.10aRecueil de contredances mises en chorâegraphie.lEnglish10aFor the furthur improvement of dancing, A treatis of chorography, or, Ye art of dancing country dances after a new character :bin which the figures, steps & manner of performing are describ'd & ye rules demonstrated in an easie method adapted to the meanest capacity /ctranslated from the French of Monsr Feuillet, and improv'd wth. many additions, all fairly engrav'd on copperplates, and a new collection of country dances describ'd in ye same character by Iohn Essex, dancing master.0 aLondon :bSold by I. Walsh & P. Randall ... I. Hare ... I. Culen ... & by ye author ...,c1710.  a[4], 88 p. :bdiagrams, music ;c15 cm. (8vo)  aEngraved throughout.  aTranslation of: Recueil de contredances mises en chorâegraphie.  aDances written in  notation: p. 25-88. Those by John Essex are listed in: Forrester, F.S. Ballet in England, 554.  aThis is a translation of Raoul-Auger Feuillet's treatise Recueil de contredances mises ... (Paris, 1706), by English dance, dancing master, and writer John Essex.  Through the use of diagrams, the manual gives descriptions of floor patterns and motions for the feet and arms, indicates how the dance corresponds to the music, and provides rules for performance of English country dances, known in France as the contredanse (also spelled contredance).  Diagrams and music for ten dances are given.  Performed as a series of figures by a column of men facing a column of women, the English country dance was one of the most popular ballroom dances during the eighteenth and early nineteenth centuries.  aAvailable also through the Library of Congress Web site as facsimile page images. 0aCountry-dance. 0aDance notation. 4aDance Instruction and Technical Manuals. 4aNotation for Dance. 4aMusic for Dance.1 aEssex, John.01aTreatis of chorography.7 dmusdif069gurn:hdl:loc.music/musdi.069uhttp://hdl.loc.gov/loc.music/musdi.0692http  k l2mxn7o7pPqM  aTo be placed in the custody of the Music Div.  asmcd/musdieammem01904cam  22003011  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001700129100004500146245025200191260002900443300003800472500002500510500002000535520071500555530008601270650002001356650004501376650002401421650002101445856009001466906002401556985002201580   24027846 //r983DLC19980623140442.1cr||||790321s1706    fr a          000 0afre    a   24027846 //r983  aDLCcDLCdDLC00aMT950b.F48510aFeuillet, Raoul-Auger,d1659 or 60-1710.00aRecueil de contredances mises en chorâegraphie,bd'une maniâere si aisâee, que toutes personnes peuvent facilement les apprendre, sans le secours d'aucun maãitre et mãeme sans avoir en aucune connoissance de la chorâegraphie.cPar M.r Feuillet ...0 aParis,bL'auteur,c1706.  a16 p. l., 192 p.bdiagrs.c15 cm.  aEngraved throughout.  aContains music.  aThis is the first manual to be published in France that describes English country dances.  Called contredanses (also spelled contredance) in France, the manual describes motions for the feet and arms, how the dance corresponds to the music, and rules for performance.  Additionally, floor plans and music for ten dances are given.  Feuillet also suggests appropriate steps.  Performed as a series of figures by a column of men facing a column of women, The English country dance was a popular ballroom dance during the eighteenth and early nineteenth centuries.  In 1710, this manual was translated into English as For the further improvement of dancing by English dancer, dancing master and writer John Essex.  aAvailable also through the Library of Congress Web site as facsimile page images. 0aCountry-dances. 4aDance Instruction and Technical Manuals. 4aNotation for Dance. 4aMusic for Dance.7 dmusdif070gurn:hdl:loc.music/musdi.070uhttp://hdl.loc.gov/loc.music/musdi.0702http  k l mxn3o7pPqM  asmcd/musdieammem02127cam  22003611  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111041001100129050003700140100004500177245065800222260016100880300003601041500002501077500016601102500005501268530008601323650003201409650004501441650002401486650002101510700003001531700001601561740002001577856009001597906002401687955003201711985002201743   22022367 //r985DLC19941115100628.2cr||||781018s1715    enka          000 0 eng    a   22022367 //r985  aDLCcDLCdDLC1 aengfre00aGV1590b.F6 1715u<Rare Bk Coll>1 aFeuillet, Raoul-Auger,d1659 or 60-1710.10aOrchesography;bor, The art of dancing by characters and demonstrative figures. Wherein the whole art is explain'd; with compleat tables of all steps us'd in dancing, and rules for the motions of the arms, &c. Whereby any person (who understands dancing) may of himself learn all manner of dances. Being an exact and just translation from the French of Monsieur Feuillet.cBy John Weaver, dancing master. The 2d ed. N.B. To this edition is added, the Rigadoon, the Louver, & the Brittagne, in characters, with the contents, or index: the whole engraven: and likewise may be had where these are sold, 20 dances in characters, by Mr Isaac, in one vollume.  aLondon,bPrinted for, & sold by Inp0s. Walsh, musick printer & instrument maker to His Majesty, at the Harp in Catherine street in the strandc[ca. 1715?]  a3 p.l., 120 p.bdiagrs.c27 cm.  aEngraved throughout.  aThe Rigadoon, the Louver, & the Brittagne, by Mr. Isaac (p. 101-120) consist of diagrams of dance figures, with tune for figure represented at head of each page.  aBound in mottled calf, paneled, with gold tooling.  aAvailable also through the Library of Congress Web site as facsimile page images. 0aDancexEarly works to 1800. 4aDance Instruction and Technical Manuals. 4aNotation for Dance. 4aMusic for Dance.1 aWeaver, John,d1673-1760.1 aIsaac,cMr. 1aArt of dancing.7 dmusdif074gurn:hdl:loc.music/musdi.074uhttp://hdl.loc.gov/loc.music/musdi.0742http  k l mxn7o7pPqM  aNEW INPUT [TH12] [05/14/98]  asmcd/musdieammem01556cam  22003131  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050003200129051004800161100002300209245011400232260008900346300001800435500002800453500009500481520030200576530012500878650001101003650001901014650004501033856009001078906002401168955002801192985002201220   03008851 //r985DLC19980623141303.3cr||||781018s1796    mau           000 0 eng    a   03008851 //r985  aDLCcDLCdDLC00aGV1763b.F7u<Rare Bk Coll>  aMicrofilm 82/5855 (GV)u<MicRR>cMicrofilm.1 aFraisier, M. J. C.14aThe scholars companion,bcontaining a choice collection of cotillons & country-dances.cBy M. J. C. Fraisier.  aBoston:bPrinted by D. Bowen, at the Columbian museum press, for the authorc[1796?]  a16 p.c16 cm.  aSignatures: [A]-Bp4s.  aThe foot of the title-page is torn off, and the date as given above is supplied in pencil.  aAlthough the title of this manual would indicate a collection of cotillions (figure dances usually performed by four couples), the dances are, in fact, English country dances, performed by a column of men facing a column of women.  The collection includes directions for 50 English country dances.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDance. 0aCountry-dance. 4aDance Instruction and Technical Manuals.7 dmusdif075gurn:hdl:loc.music/musdi.075uhttp://hdl.loc.gov/loc.music/musdi.0752http  k l mxn7o7pPqM  aNEW INPUT th12 05/14/98  asmcd/musdieammem01368cam  2200301   4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001600129100004600145245011100191260005100302300002700353505006300380520029200443530008600735650001100821650001100832650001400843650004500857856009000902906002400992955002801016985002201044ca 23000009 //r984DLC19941115104053.5cr||||781018s1922    paua          000 0 eng    aca 23000009 //r984  aDLCcDLCdDLC00aGV1751b.F71 aFrank, Charles J.q(Charles Julius),eed.14aThe latest method, home instruction by mail, dancing courses ...carranged and ed. by Charles J. Frank ...  aPhiladelphia, Pa.,bThe Beacon Academy,c1922.  a3 v. :bill. ;c20 cm.0 av. 1. The waltz.--v. 2. The fox trot.--v. 3. The one step.  aThis is a series of three pamphlets, each from sixteen to twenty-four pages, that describes the waltz, foxtrot, and the one step.  Designed for those who "know nothing at all about Modern Dances," each pamphlet provides preliminary exercises and basic lessons for execution of the steps.  aAvailable also through the Library of Congress Web site as facsimile page images. 0aDance. 0aWaltz. 0aFox trot. 4aDance Instruction and Technical Manuals.7 dmusdif076gurn:hdl:loc.music/musdi.076uhttp://hdl.loc.gov/loc.music/musdi.0762http  k l mxn7o7pPqM  aNEW INPUT th12 05/14/98  asmcd/musdieammem02017cam  22003251  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050002200129100004200151245018600193250002000379260005200399300006300451500012300514500011300637500002500750520055500775530012501330650002001455650003001475650002201505856009001527906002401617955002801641985002201669   14020238 //r983DLC19941115105612.3cr||||781018r19071895enkafg        000 0 eng    a   14020238 //r983  aDLCcDLCdDLC00aGV1601b.F84 19071 aFrazer, Lilly Grove,clady,dd. 1941.00aDancing,cby Mrs. Lilly Grove, F.R.G.S., and other writers, with musical examples. Illustrated by Percy Macquoid and by numerous reproductions of engravings, prints and photographs.  aNew impression.  aLondon [etc.]bLongmans, Green. and co.,c1907.  axvii, 454 p.bfront., illus. (incl. music) plates.c19 cm.  aHalf title: The Badminton library of sports and pastimes, ed. by the Duke of Beaufort ... assisted by A. E. T. Watson.  aShort contributions by Mrs. Wordsworth, Miss Middleton, the Hon. Mrs. Armytage and the Countess of Ancaster.  aFirst edition, 1895.  aOriginally published in 1895, Mrs Grove's account of dance history was considered one of the most important books on dance during the late nineteenth century.  Although based on previously published materials, the book maintained popularity for several decades.  Using a formula employed by many writers, Mrs. Grove writes about the dances of antiquity, ritual dances, and the dances of "savages."  The remainder of the book is devoted to the dance of many lands and cultures indcluding Scotland, Wales, Hungary, Russia, Lapland, Spain, and Portugal.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDancexHistory. 4aDance History and Theory. 4aTheatrical Dance.7 dmusdif077gurn:hdl:loc.music/musdi.077uhttp://hdl.loc.gov/loc.music/musdi.0772http  k l mxn7o7pPqM  aNEW INPUT th12 05/14/98  asmcd/musdieammem01700cam  22003011  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001700129051003300146100004200179245006700221260007300288300005700361520056600418530012500984650003201109650004101141650003001182650002201212856009001234906002401324955002801348985002201376   02013080 //r985DLC19980623141830.1cr||||781018s1772    enk           000 0 eng    a   02013080 //r985  aDLCcDLCdDLC00aGV1601b.G17  aGV1601b.G17 Copy 2cCopy 2.1 aGallini, Giovanni-Andrea,d1728-1805.02aA treatise on the art of dancing.cBy Giovanni Andrea Gallini.  aLondon,bPrinted for the author and sold by R. Dodsley [etc.]c1772.  a2 p. l., [ix]-xvi, [17]-292 p.bfold. front.c20 cm.  aOriginally published in 1762 and reissued in 1765, this work borrows heavily from previously published materials, including the works of Locke, Goldini, and especially John Weaver's 1712 An Essay towards a history of dancing.  Gallini (1728-1805) presents a history of dance, arguments for learning the art of dance, and a discourse on the minuet.  Especialy interesting are Gallini's comments on European and non-European dance and discussion includes practices in Britain, Spain, Naples, the peasants of Tirol, Russia, Turkey, China, Africa, and the Americas.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDancexEarly works to 1800. 0aDancexHistoryxEarly works to 1800. 4aDance History and Theory. 4aTheatrical Dance.7 dmusdif080gurn:hdl:loc.music/musdi.080uhttp://hdl.loc.gov/loc.music/musdi.0802http  k l mxn7o7pPqM  aNEW INPUT th12 05/14/98  asmcd/musdieammem01361cam  22002771  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001700129100002600146245008500172250002100257260005100278300002400329520037100353530012500724650004400849650002600893856009000919906002401009955002801033985002201061   05039486 //r985DLC19941114113952.9cr||||781018s1893    kyu           000 0 eng    a   05039486 //r985  aDLCcDLCdDLC00aGV1741b.G221 aGardner, W[illiam] W.00aModern dancing: in the light of Scripture and facts.cBy W. W. Gardner, D.D. ...  a1st thousand ...  aLouisville, Ky.,bBaptist book concern,c1893.  av, 7-104 p.c19 cm.  aThis antidance tract was originally a sermon presented by the author in Maysville, Kentucky in 1849 and repeated in 1866.  It was published as a circular in 1874 and revised in 1887.  The arguments are typical of this genre of literature.  The author concludes that, based on his interpretation of the Scriptures, dance is dangerous to health, piety, and usefulness.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDancexReligious aspectsxChristianity. 4aAntidance Literature.7 dmusdif081gurn:hdl:loc.music/musdi.081uhttp://hdl.loc.gov/loc.music/musdi.0812http  k l mxn7o7pPqM  aNEW INPUT th12 05/14/98  asmcd/musdieammem01139cam  22002771  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001700129100001700146245013600163260002800299300001900327500001700346520015300363530012500516650001100641650004500652856009000697906002400787955002800811985002200839   05029721 //r984DLC19941114114219.3cr||||790302s1876    alu           000 0 eng    a   05029721 //r984  aDLCcDLCdDLC00aGV1761b.G251 aGass, Henry.14aThe waltz C.bA combination of curved steps and movements, so as to represent or describe the letter C.cComposed by Henry Gass ...  a[Mobile, Ala.?]cc1876.  a[7] p.c15 cm.  aCover title.  aThis small aide de memoire for the waltz provides separate instruction for the woman's part, the man's part, and three versions of the pursuit step.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDance. 4aDance Instruction and Technical Manuals.7 dmusdif082gurn:hdl:loc.music/musdi.082uhttp://hdl.loc.gov/loc.music/musdi.0822http  k l mxn7o7pPqM  aNEW INPUT th12 05/14/98  asmcd/musdieammem01204cam  22002771  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001800129100002200147245007700169260004900246300002300295520022500318530012500543650002700668650004500695650002200740856009000762906002400852955002800876985002200904ca 05001764 //r983DLC19800710000000.0cr||||790517s1892    nyu           000 0 eng    aca 05001764 //r983  aDLCcDLCdDLC00aGV1795b.G7351 aGrant, Horatio N.04aThe Highland fling and how to teach it,cby Prof. Grant ... [Book no. 2]  aBuffalo, N.Y.,bElectric city pressc[c1892]  a39, [1] p.c16 cm.  aThis short pamphlet is devoted to the Highland Fling, described as a popular fancy dance, especially appropriate for children.  The author gives four exercises and descriptions for eleven steps, many with multiple parts.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aHighland fling (Dance) 4aDance Instruction and Technical Manuals. 4aTheatrical Dance.7 dmusdif086gurn:hdl:loc.music/musdi.086uhttp://hdl.loc.gov/loc.music/musdi.0862http  k l mxn7o7pPqM  aNEW INPUT th12 05-20-98  asmcd/musdieammem01048cam  22002771  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001700129100002200146245008300168260002800251300003000279500002700309520007800336530012500414650004500539650002200584856009000606906002400696955002800720985002200748ca 05001765 //r983DLC19830816000000.0cr||||790517s1895    nyu           000 0 eng    aca 05001765 //r983  aDLCcDLCdDLC00aGV1795b.G741 aGrant, Horatio N.10aIrine skipping rope dance,coriginated and described by Prof. H. N. Grant. ...  a[Buffalo? N.Y.]cc1895.  a[1], [154]-164 p.c19 cm.  aTitle vignette (port.)  aGrant describes ten steps of a solo dance that requires a rope as a prop.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 4aDance Instruction and Technical Manuals. 4aTheatrical Dance.7 dmusdif087gurn:hdl:loc.music/musdi.087uhttp://hdl.loc.gov/loc.music/musdi.0872http  k l mxn7o7pPqM  aNEW INPUT th12 05-20-98  asmcd/musdieammem01241cam  22002771  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001800129100002400147245009700171260002800268300003900296500001900335520025300354530012500607650004500732650002200777856009000799906002400889955002800913985002200941ca 05001763 //r983DLC19790223000000.0cr||||781018s1895    nyua          000 0 eng    aca 05001763 //r983  aDLCcDLCdDLC00aGV1795b.G7251 aGrant, H[oratio] N.04aThe double sword dance.bDescribed and copyrighted November, 1895,cby Prof. H. N. Grant ...  a[Buffalo? N.Y.]cc1895.  a1 p. l., 83-100 p.billus.c19 cm.  aCaption title.  aPart of a series of pamphlets published by Grant, this work provides preparatory exercises and instructions for steps including the pas de basque, waltz turn, and shuffle.  Grant notes that the double sword dance can be performed as a solo or duet.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 4aDance Instruction and Technical Manuals. 4aTheatrical Dance.7 dmusdif088gurn:hdl:loc.music/musdi.088uhttp://hdl.loc.gov/loc.music/musdi.0882http  k l mxn7o7pPqM  aNEW INPUT th12 05-20-98  asmcd/musdieammem01442cam  22002651  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001700129100002300146245005700169260006100226300001700287520055700304530012500861650001100986650001500997856009001012906002401102955002801126985002201154ca 05001941 //r983DLC19941114145459.7cr||||781018s1889    riu           000 0 eng    aca 05001941 //r983  aDLCcDLCdDLC00aGV1751b.G791 aGreene, William E.04aThe terpsichorean monitor.cBy William E. Greene ...  aProvidence, R.I.,bE. A. Johnson & co., printers,c1889.  a39 p.c9 cm.  aThis manual, a compilation of previously published materials, includes a brief discussion on dancing and deportment, bows (which the author considers the "criteria of good breeding"), and a section on introductons with instructions on how to shake hands.  The book also covers information on the duties of an escort, how to ask a lady to dance, and responsibilities of guests.  General information is provided on quadrilles and the cotillon (also known as the German).  However, the only dances described in detail are the figures for three quadrilles.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDance. 4aEtiquette.7 dmusdif090gurn:hdl:loc.music/musdi.090uhttp://hdl.loc.gov/loc.music/musdi.0902http  k l mxn7o7pPqM  aNEW INPUT th12 05-20-98  asmcd/musdieammem01300cam  22002651  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050001700129100003600146245007700182260006100259300001800320520033800338530012400676650004400800650002600844856009000870906002400960955002800984985002201012   05039485 //r984DLC19980416121201.4cr||||781018s1879    pau           000 0 eng    a   05039485 //r984  aDLCcDLCdDLC00aGV1741b.H441 aHeckman, George C.,d1825-1902.00aDancing as a Christian amusement.cBy the Rev. George C. Heckmann[!] ...  aPhiladelphia,bPresbyterian board of publicationc[1879]  a36 p.c16 cm.  aThis antidance treatise presents three of the central arguments for this genre of literature.  First, dance is injurious to the health; second, dance is a waste of time and money.  The third argument recognizes that dance is mentioned in the Bible; however, the author claims that only women danced and solely for religious purposes.  aAvailable also through the Library of Congress Web site in two forms: as facsimilepage images and as full text in SGML. 0aDancexReligious aspectsxChristianity. 4aAntidance Literature.7 dmusdif092gurn:hdl:loc.music/musdi.092uhttp://hdl.loc.gov/loc.music/musdi.0922http  k l mxn7o7pPqM  aNEW INPUT th12 05-20-98  asmcd/musdieammem08723cac  22004337a 4500001001300000003000400013005001700017007000700034008004100041010001700082040001800099043001200117050002400129245006200153246002800215246002200243260001900265300003700284505133300321505133601654505156202990505125004552505127505802530008607077520059807163500010407761500005407865650002007919650002707939700003207966700003107998700003508029700003308064856009008097906002408187955004308211985002208254985001308276   98160932 DLC19980618170725.8cr||||980616s17uu    fr ag         000 0 fre    a   98160932   aDLCcDLCdDLC  ae-fr---00aMT950b.C77u<Case>00a[Contredanses; description des figures, plan des figures]18aPlaisirs de l'Arquebuse18aRecueil de danses  aParis,c[17--]  a5 v. :bill., music ;c21-22 cm.0 av. 1. Les plaisirs de l'Arquebuse / par Mr Dusuel -- La jasuel / la musique de Mr Jalodin ; la figure de Mr Dusuel -- Les quartres nieces / musique de Mr Feret ; par Mr Roger -- Les graces allemandes / par Mr Roger -- La nouvelle yorck / par Mr Roger (2 copies) --  La brandebourg / la musique de monsieur Jalodin ; par Mr Roger -- La Lucille / par Mr. Amateur (2 copies) -- L'âetoile/ par Mr Battu (2 copies) -- La chasse de Diane / la musique de Mr Feret ; les figures de Mr Roger (2 copies) -- Le petite battu / par le sieur Battu fils -- La petite eclusel / par Courtat -- Les plaisirs de la chasse / par Mr Roger -- La nouvelle de Lille / par Mr Battu -- La Zelmire / par Mr Allard (2 copies) -- Tambourin allemand / par Battu (2 copies) -- La petite laitiere / par Mr Battu (2 copies) -- La petulante / par Mr Roger -- Les amusements du Wauxhall / par M. Roger -- Les soirâees amusantes / par Battu -- La nouvelle ferret / par Mr Battu -- Le dâeserteur / par Mr Roger -- L'ouverture des fãetes de Torrâe / par M. Roger -- La Robert / par Mr. Verdier -- La nouvelle Sâeguin / par Mr Verdier -- L'ouverture de fãetes de Belleville / par M. Battu -- La nouvelle brunswick / par Mr Dusuel -- La nouvelle corbeil / par M. Battu -- La troyenne / par M. Roger -- La chasse / par M. Battu -- Les plaisirs de Tanlay / par M. *** --8 aLes moissonneurs / par Mr. Roger -- Les plaisirs de la jeunesse / par Mr PE*** -- La mont-au-ciel / par M PE*** -- La belle pinture de Lucy / Mr Branche de Beauvais -- L'esprit folet / par M. Roger -- Le wauxhall de Londres / par Mr Dusuel -- La barbella / par Mr Landrin -- La mignonnette -- Le ballet des Guirlandes / par Mr. Roger -- Les amusements de Chevalier / par Mr. Chevalier -- La rejouissante / par Mr. Mendouze -- La nouvelle d'Auphine / par M. Battu -- La nouvelle Lise / par M. Roger -- Les batteurs en grange / par M Battu -- La colisee / par M. Battu -- Le chevalier oblique / par M. Chevalier -- Les plaisirs de Chevalier / par M. Chevalier -- La nouvelle Terpsicore / par Mr Roger -- Le balet du colisee / par M. Battu -- Le retour franðcais / par Mr. Morand -- Limpromptu de Rossignol / par M. Rossignol -- Le caprice de Gaudrot / par M. Gaudrot -- Les fãetes villageoises / par M. Roger -- Les amusements de Dusuel / par M. Dusuel -- Les quatre berceaux / l'air de Mr. Ferret ; la figure de Mr. Gaudrot --enis ; la figure par Mr. Chevalier -- Les dâelices franðcais / la musique par Mr. Denis ; la figure par Mr. Chevalier -- La joute / par Mr. Verdier ; la musique par Mr. Ferret -- Le rendâes-vous de la jeunesse / la musique par Mr. Denis ; la figure par Mr. Gaudrot -- Les petites etrennes / par M. Roger --8 aLe palais de l'amour / par Mr. Lequin -- La bizarre -- Les plaisirs champestres de la vallâee de M. / par Mr. Roger -- La nouvelle Aimâee / par Mr Verdier -- La Dauberval -- La petite javotte / l'air de M. Ferret ; la figure par M. Gaudrot -- L'alexandrine / par M. Roger -- Le parfait cotentement / par M. Guillaume -- La fricassâee ; Carabo -- La nouvelle Guillet / par M. Guillet -- La rose / la musique de Mr. Ferret ; la figure par M. Gaudrot -- La nouvelle Dailly / par M. Guillet -- La petite Angelique / l'air de M. Vincent ; la figure de M. Adnet -- La soissonnoise / la musique par M Vincent ; la figure par M. Verdier -- La boullongne / par M. Gaudrot -- La Violette / par M. Gaudrot -- L'amoureux de quinze ans / la figure par M. Adenet -- La nouvelle victoire / l'air de M. Vincent ; la figure par M. Verdier -- La rosiere / l'air de M. Vincent ; la figure par M. Verdier -- La Provence / par M. Roger -- Les tems perdu / par M. Gaudrot -- La sâeduisante / par M. Roger -- La pensâee de Vallette / l'air de M. Vincent ; la figure de M. Vallette -- La societâe de Battu / par M. Battu -- La chasse de Desnoyers / par M. Desnoyers -- La blondelle / par Mr. Vincent -- La tonnelliere / par M. Roger -- Les traits galants / la figure par M. Adnet ; la musique par M. Granget -- Les quatre commeres / par M. Gaudrot -- La simonnette -- La bertrand / par M. Chevalier -- Les plaisirs de L'isle Adam / par M. Denis -- Les sorees de Passy / par M. Roger -- La voisine / par M. Verdier -- La glorieuse / par M. Poirier -- La lison -- La clef des coeurs.8 av. 2. La belle-poule et la L'arguza / figures par Mr. Clerget -- Les deux jaloux et Les troqueurs -- L'automne et La camille / par Mr. Guillaume -- Potpourrie / par Mr Sicard -- L'insurgente et L'anglaise americaine / par Mr. Guillaume -- La chasse de Silvie / la [sic] figures de Mr. Lany -- La Voltaire & La Franklein -- La d'orvillier / par Mr. Lechard -- Le lundy & Le jeudy / par Mr. Ferret -- La petite charmante / par Mr. Feret -- La cleophille / la musique par Mr. Vincent -- Les bonnes amie / par Mr. Lâechard -- La Louise / par Mr. Vincent -- La dubreuil / par M. Verdier ; la musique de M. Vincent -- La bagatelle / par Mr. Verdier -- La rose nouvelle -- Potpoury franðcais -- Les plaisirs de crâeteille / par Mr. Lâechard -- La promenade du Colisee / de Mr. Joly -- Le cadrille de la puce / par Mr. Nivelon -- La puce / par Mr. Lequin -- L'âetâe / par Mr. Julien -- Les plaisir de Chenonceaux / Vincent -- La babiolle / par Mr. Vincent -- La chasse d'amour / l'air par Mr. Pertrand ; la figures par Mr. Magnetet -- La rejouissanse dartois / Mr. Dâenis -- Lajax -- L'amour quãeteur / arrangâee par Mr. Ferret et La Gabrielle de Vergy -- La Pracontalle / Lechard -- Les pois ramâe / par Desnoyer -- Le bataillon carrâe / M. Deshayes --8 aPotpourrie / par Mr. Lany -- La perrier / par Mr. Vincent -- Le herisson et la pie / par Mr. Le Quin -- L'alcimadure et La villageoise -- Les plaisirs de Montreuille / par Mr. Lâechard -- La piere dâesmant et La villetier / Monsieur Gricourt. -- v. 3. Les plaisirs de Flore / Bacquoy-Guâedon -- La vertu / Bacquoy-Guâedon -- L'aimable jeunesse / Bacquoy-Guâedon -- La cour de Paphos / Bacquoy-Guâedon -- L'Adonis / Bacquoy-Guâedon -- La mignonette / par Guillaume. --   -- v. 5. La perreau / par M. Perreau -- Les quatre comtesses / par Mr. Perreau -- Quadrille anglais / par Mr. Perreau -- Quadrille allemand / par Mr. Perreau (imperfect: all but p. 1-2 wanting) -- Les quatre princes / par Mr. Perreau -- La promenade de mesdames / par Mr. Perreau (imperfect: all but p. 1-2 wanting) -- La nouvelle Therese / par Mr. Papillon -- Le nouveau quadrille anglais / par Mr. Mãendouze -- L'ouverture des assemblâees / Mr. Mãendouze -- Les amusemens de Mãendouze /par Mr. Mãendouze -- La Danemark, ou, La n[ouvel]le Trawandal / par Mr. Mãendouze -- La suze -- La gaãitâe / par Mr. Mãendouze -- La voluptueuse -- Les plaisirs de Carel / Carel -- L'impromptu / Mr. Mãendouze -- La Esther / par M. Perreau -- Les grace allemandes / par M. Roger -- La Flore -- Le ballet allemand.  aAvailable also through the Library of Congress Web site as facsimile page images.  aThis is a bound collection of over eighty-five late eighteenth-century contredanses and contredanse variants such as contredanse francaise; contredanse allemande; and contredanse anglaise, each choreographed by well-known dancing masters and dancers including Philip Desnoyers, Marie Allard, Landrin, and Denis. Each contredanse consists of a title page, a page for description of the figures, another for the floor plan, and a fourth page for the music. Although most contredanses were designed for four couples facing in a square, this collection contains dances for up to twelve performers.  aLC v. 1 has spine title: Les plaisirs de l'Arquebuse; v. 2 has spine title: Recueil de danses.5DLC  aLC v. 4 not available at time of cataloging.5DLC 0aCountry-dances. 0aCountry-dancezFrance.1 aVincent,cmaãitre de danse.1 aAllard, Marie,d1738-1802.1 aDenis, Pierre,dfl. 1760-1779.1 aLandrin,dfl. ca. 1760-1785.7 dmusdif096gurn:hdl:loc.music/musdi.096uhttp://hdl.loc.gov/loc.music/musdi.0962http  k l m n7o7pPqM  aNEW INPUT th14 05-18-98; vj01 06-16-96  asmcd/musdieammem  aAPIF/MIG01506cam  22002891  4500001001800000003000400018005001700022007000700039008004100046010002200087040001800109050004200127100002900169245003800198260003800236300002200274520048300296530012500779650001100904650004500915710005700960856009001017906002401107955002801131985003501159985002201194ca 05001741 //r98DLC19941116102350.4cr||||781018s1886    mau           000 0 eng    aca 05001741 //r98  aDLCcDLCdDLC00aGV1767b.H84u<Min Case Rare Bk Coll>1 aHowe, Elias,d1819-1867.04aThe pocket ball-room prompter ...  aBoston,bO. Ditson & Co.,cc1886.  a47 [1] p.c10 cm.  aThis small, pocketsiz manual is attributed to American in-ventor Elias Howe; however, a publisher assembled it. Even though the manual itself is small in size, it manages to pack in a thorough discussion of etiquette of  the ballroom and supper room, a discussion on the differences betwn public balls an  private parties, and how to call quadrilles or cotillons. Descriptions are included for numerous dances including the polka, waltz, schottisch, quadrille, and contra dance.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDance. 4aDance Instruction and Technical Manuals.21aMiniature Book Collection (Library of Congress)5DLC7 dmusdif099gurn:hdl:loc.music/musdi.099uhttp://hdl.loc.gov/loc.music/musdi.0992http  k l mxn7o7pPqM  aNEW INPUT th14 05-19-98  ararebk/minerbcfqr05 11-09-93  asmcd/musdieammem01486cam  22002771  4500001001800000003000400018005001700022007000700039008004100046010002200087040001800109050001700127100003500144245010500179260007300284300004300357520042400400530012500824650003000949650003800979650002601017856009101043906002401134955002801158985002201186   01005931 //r98DLC19980625184558.6cr||||781018s1901    tnuc          000 0 eng    a   01005931 //r98  aDLCcDLCdDLC00aGV1741b.H871 aHubbert, J. M.q(James Monroe)10aDancers and dancing;ba calm and rational view of the dancing question,cby Pastor J. M. Hubbert ...  aNashville, Tenn.,bCumberland Presbyterian publishing housec[c1901]  a3 p. l., 5-44 p. front.bport.c19 cm.  aAt first glance, Hubbert appears to be presenting both pro and con agruments regarding the suitability of dancing.  However, the discussion is weighted toward the common discourse found in this genre of antidance literature.  Hubbert argues that although dance was practiced in biblical times, it was performed by and for women. Additionally, he concludes that dance is bad for the health and a waste of time and money.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDancexReligious aspects. 0aDancexMoral and ethical aspects. 4aAntidance Literature.7 dmusdif104gurn:hdl:loc.music/musdi.104uhttp://hdl.loc.gov/loc.music/musdi.1042http.  k l mxn7o7pPqM  aNEW INPUT th14 05-18-98  asmcd/musdieammem01711nam  2200313 a 4500001001300000003000400013005001700017007000700034008004100041010001700082040001300099050002100112100002800133245018200161260004900343300002000392510002800412530012500440520049000565650003001055650005301085650005801138650002301196856009101219906002401310955002801334985002201362985001301384   98161187 DLC19980616163959.1cr||||980616s1819    mau           000 0 eng    a   98161187   aDLCcDLC00aGV1741b.I2 18181 aIde, Jacob,d1785-1880.14aThe nature and tendency of balls :bseriously and candidly considered, in two sermons, preached in Medway, the first, December 21: the second, December 28, 1818 /cby Jacob Ide.  aDedham :bPrinted by M. & W.H. Mann,c[1819]  a50 p. ;c21 cm.4 aShaw & Shoemakerc48319  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML.  aThis book consists of two sermons delivered by Jacob Ide (1785-1880), pastor of the Second Church in Medway during December 1818. In these sermons, the pastor declares that balls are too expensive, "excite very ardent feeling," and lead to an "inordinate love of company" resulting in idleness.  The second sermon is devoted to a common theme in nineteenth-century antidance literature, that dancing and attending balls are contrary to Scripture.  Ide's sermons were reprinted in 1859. 0aBalls (Parties)xSermons. 0aDancexReligious aspectsxChristianityxSermons. 0aAmusementsxReligious aspectsxChristianityxSermons. 0aSermons, American.7 dmusdif105gurn:hdl:loc.music/musdi.105uhttp://hdl.loc.gov/loc.music/musdi.1052http.  k l m n7o7pPqM  aNEW INPUT vj01 06-16-98  asmcd/musdieammem  aAPIF/MIG01639cam  22002771  4500001001900000003000400019005001700023007000700040008004100047010002300088040001800111050003200129051003200161100004900193245015800242260004100400300002600441520053500467530012501002650004401127650002601171856009001197906002401287955002801311985002201339   22004143 //r982DLC19980618162408.7cr||||781018s1867    mou           000 0 eng    a   22004143 //r982  aDLCcDLCdDLC00aGV1741b.J6u<Rare Bk Coll>  aGV1741b.J6 Copy 2cCopy 2.1 aJones, John G.q(John Griffing),d1804-1888.13aAn appeal to all Christians, especially the members of the Methodist Episcopal Church, against the practice of social dancing.cBy Rev. John G. Jones ...  aSaint Louis,bP. M. Pinckard,c1867.  aiv, [5]-66 p.c15 cm.  aThis tract against the practice of social dancing is based on a series of articles written by Jones in 1852. Jones notes alarm because dance is gaining favor with the public. Two of his arguments are common in this genre of literature.  First, he claims that dance is an unhealthy exercise. Second, he claims that dance in the Bible is exempted from criticism because it was interpreted as being performed only by women.  Jones argues that dance is the natural result of "fervent piety, and of a heart overflowing with gratitude."  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDancexReligious aspectsxChristianity. 4aAntidance Literature.7 dmusdif107gurn:hdl:loc.music/musdi.107uhttp://hdl.loc.gov/loc.music/musdi.1072http  k l mxn7o7pPqM  aNEW INPUT th14 05-19-98  asmcd/musdieammem01336cam  22002771  4500001001800000003000400018005001700022007000700039008004100046010002200087040001800109050001600127100002100143245004200164260003300206300002700239500010400266520035700370530012500727650001900852650002200871856009100893906002400984955002801008985002201036   43035740 //r98DLC19980625184629.4cr||||781018s1788    enkf          000 0 eng    a   43035740 //r98  aDLCcDLCdDLC00aGV1757b.K51 aKingsbury, W. H.02aA cotilion [!]c[By] W. H. Kingsbury.  aLondon,bS. W. Fores,c1788.  afold. pl.c28 x 23 cm.  aA continuous strip mounted on linen (26 1/2 x 208 cm) folded, accordion fashion, to form 10 leaves.  aThis is a charming example of late-eighteenth-century caricature. Although the specific personalities and dances cannot be pinpointed, this collection of ten couples, dressed in ball dress and displaying exaggerated dance poses, is an excellent sample of an art form that flourished in England during the late eighteenth and early nineteenth centuries.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aGerman (Dance) 4aDance Caricature.7 dmusdif108gurn:hdl:loc.music/musdi.108uhttp://hdl.loc.gov/loc.music/musdi.1082http.  k l mxn7o7pPqM  aNEW INPUT th14 05-20-98  asmcd/musdieammem02425cam  22004691a 4500001001800000003000400018005001700022007000700039008004100046010002200087020004000109040001800149041001400167050003700181082001400218100002300232245032100255260006600576300002500642490005300667440002800720546007400748500010100822520038900923530010401312504004101416650004501457650002401502650002101526650003501547700001901582700002101601740004901622830005201671856011001723906002401833922000701857955004801864985000801912985001301920985002201933   90172102 //r98DLC19941024153140.2cr||||900703s1988    au       b    000 0 fre    a   90172102 //r98  a3201013838 (facsimile & commentary)  aDLCcDLCdDLC0 afreengger00aGV1796.B28bB27 1988u<Mus Case>00a792.82201 aLemaire, Claudine.14aLes basses danses de Marguerite d'Autriche =bDas Tanzbèuchlein der Margarete von èOsterreich : vollstèandige Faksimile-Ausgabe im Originalformat der Handschrift MS 9085 aus dem Besitz der Bibliotháeque royale Albert Ier, Bruxelles. Kommentarband /cmit Beitrèagen von Claudine Lemaire, Claude Thiry, Victor Gavenda.  aGraz, Austria :bAkademische Druck- u. Verlagsanstalt,c1988.  a76 p. ;c13 x 21 cm.1 aCodices selecti phototypice impressi ;vvol. 87. 0aMusica manuscripta ;v5  aForeword in German, the first 2 essays in French, the 3rd in English.  aIssued in a solander case with the full-color facsimile of the manuscript (LC record 90-172142).  aThis is a facsimile reproduction with additional commentary of a rare fifteenth-century source for the bassedanse, a Burgundian court dance. Known as Brussels manuscript 9085, it consists of twenty-five parchment leaves on black paper with gold rules and calligraphic initials in silver. Seventeen folios contain specific music and choreographies in the earliest known dance notation.  aFacsimile portion available also through the Library of Congress Web site as facsimile page images.  aIncludes bibliographical references. 4aDance Instruction and Technical Manuals. 4aNotation for Dance. 4aMusic for Dance. 0aBasse dansexHistoryxSources.10aThiry, Claude.10aGavenda, Victor.01aTanzbèuchlein der Margarete von èOsterreich. 0aCodices selecti phototypice impressi ;vv. 87*.7 3Facsimile portiondmusdif112gurn:hdl:loc.music/musdi.112uhttp://hdl.loc.gov/loc.music/musdi.1122http.  k l2mxn7o7pPqM  aap  avj03 07-03-90; he12 08-10-90; fp29 12-07-90  eRBC  aAPIF/MIG  asmcd/musdieammem01173cam  22003011  4500001001800000003000400018005001700022007000700039008004100046010002200087040001800109050001700127100001900144245003300163260003900196300002400235500001700259500003200276520019200308530012500500650001100625650004500636650002500681856009100706906002400797955002800821985002200849ca 05001755 //r98DLC19980625185237.2cr||||941121s1893    nyu           000 0 eng    aca 05001755 //r98  aDLCcDLCdDLC00aGV1767b.L751 aLink, Charles.00aUnique dancing call book ...  aRochester, N.Y.,bC. Link,cc1893.  a[82] p.c9 x 16 cm.  aCover title.  aPrinted parallel with back.  aThis unique document contains the prompter's calls for twenty-eight dances. The calls themselves are printed in large type, making them easier to read. No dance instructions are provided.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDance. 4aDance Instruction and Technical Manuals. 4aPrompting Quadrills.7 dmusdif113gurn:hdl:loc.music/musdi.113uhttp://hdl.loc.gov/loc.music/musdi.1132http.  k l mxn7o7pPqM  aNEW INPUT th14 05-18-98  asmcd/musdieammem01668cam  22002651  4500001001800000003000400018005001700022007000700039008004100046010002200087040001800109050001600127245018900143260004500332300001800377520062100395530012501016650003201141650001901173650004501192856009101237906002401328955002801352985002201380   24020027 //r98DLC19980619171827.3cr||||781018s1798    enk           000 0 eng    a   24020027 //r98  aDLCcDLCdDLC00aGV1590b.G404aThe gentleman & lady's companion;bcontaining, the newest cotillions and country dances; to which is added, instances of ill manners, to be carefully avoided by youth of both sexes ...  aNorwich,bPrinted by J. Trumbull,c1798.  a24 p.c13 cm.  aThe etiquette section of this manual anticipates many nineteenth-century concerns regarding decorum and bodily control and some of the ill manners described include "swinging the arms, and all other awkward gestures" and "leaning on the shoulder, or chair of another person." The manual provides nine figures for the cotillon, a precursor to the quadrille consisting of a series of figures known as changes that were performed alternately with the cotillon figure. The manual also gives the figures for seventy-nine English country dances, a popular group dance performed by a column of men facing a column of women.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDancexEarly works to 1800. 0aCountry-dance. 4aDance Instruction and Technical Manuals.7 dmusdif114gurn:hdl:loc.music/musdi.114uhttp://hdl.loc.gov/loc.music/musdi.1142http.  k l mxn7o7pPqM  aNEW INPUT th14 05-19-98  asmcd/musdieammem02055cam  22003131  4500001001800000003000400018005001700022007000700039008004100046010002200087040001800109050001600127100003100143245006100174260003100235300004400266500006400310520089000374530012501264650003201389650004901421650004501470650002201515650004001537856009001577906002401667955002801691985002201719   12012085 //r98DLC19980619171943.3cr||||781018s1779    it            000 0aita    a   12012085 //r98  aDLCcDLCdDLC00aGV1590b.M31 aMagri, Gennaro,dfl. 1779.00aTrattato teorico-prattico di ballocdi Gennaro Magri ...  aNapoli,bV. Orsino,c1779.  a2 v. in 1.b22 pl. (part fol.d)c22 cm.  aTitle of v. 2 reads: Trattato di ballo teorico-prattico ...  aThis manual represents one of the most important sources on dance technique for the second half of the eighteenth century and is a critical link between Baroque dance and early romantic ballet. Part one is divided into sixty sections describing various aspects of dance beginning with a statement on the utility of dance, and feet positions. The manual continus with descriptions of many steps, for example, four of battemens, nine types of pas de bourrâee; ballotâe; and twenty-three types of cabriole. Also includd is extensive information on late eighteenth-century grotesque style, especially important for the study of Italian pantomime. Part two discusses the responsibilities of a dancing master and manner of performing the minuet. The manual concludes with instructions for thirty-nine contradanze (contredanses) including one dance that is arranged for thirty-two performers.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDancexEarly works to 1800. 0aDance musicyTo 1800xHistory and criticism. 4aDance Instruction and Technical Manuals. 4aTheatrical Dance. 4aNotation for Dance Music for Dance.7 dmusdif115gurn:hdl:loc.music/musdi.115uhttp://hdl.loc.gov/loc.music/musdi.1152http  k l mxn7o7pPqM  aNEW INPUT th14 05-18-98  asmcd/musdieammem01285cam  22002891  4500001001300000003000400013005001700017007000700034008004100041010001700082040001800099050001700117245008400134260003300218300002600251500001700277520031000294530012500604650001600729650001800745650004500763650002200808856009100830906002400921955002800945985002200973ca 05001769 DLC19980619172041.7cr||||790320s1873    nyua          000 0 eng    aca 05001769   aDLCcDLCdDLC00aGV1793b.J6100aJig, clog, and breakdown dancing made easy, with sketches of noted jig dancers.  aNew York,bE. James,cc1873.  a12 p.billus.c19 cm.  aCover title.  aThis book begins with a brief history of jig dancing and provides a chronology of jig and clog dancers from famed African-American dance Master Juba to Johnny Diamond and Dick Pelham. The manual also describes twenty steps including "heel and toe step," "shuffle,""clog break," and "plantation breakdown."  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aJig (Dance) 0aClog dancing. 4aDance Instruction and Technical Manuals. 4aTheatrical Dance.7 dmusdif117gurn:hdl:loc.music/musdi.117uhttp://hdl.loc.gov/loc.music/musdi.1172http.  k l m n7o7pPqM  aNEW INPUT th14 05-19-98  asmcd/musdieammem02141cam  22003011  4500001001800000003000400018005001700022007000700039008004100046010002200087040001800109050001600127100003800143245048200181260004600663300004400709500002000753520065500773530012501428650003201553650004501585650002401630650002101654856009001675906002401765955002801789985002201817   13019257 //r98DLC19941121141732.6cr||||790302s1737    sp a          000 0 spa    a   13019257 //r98  aDLCcDLCdDLC00aGV1590b.M62 aMinguet âe Irol, Pablo,dd. 1801?00aArte de danzar a la francesa, adornado con quarenta figuras,bque enseänan el modo de hacer todos los diferentes passos de la danza del minuete, con todas sus reglas, y de conducir los brazos en cada passo: y en quatro figuras, el modo de danzar los tres passapies. Tambien estáan escritos en solfa, para que qualquier musico los sepa taäner.cSu autor Pablo Minguet e Irol ... Aänadido en esta tercera impression todos los passos, âo movimientos del danzar áa la espaänola ...  a[Madrid,bP. Minguet, en su casa,c1737?]  a4 p. l., 72 p.billus., diagrs.c14 cm.  aContains music.  aPublished in 1758 by engraver, writer, and translator Minguet âe Irol, this manual incorporates sections of Raoul-Feuillet's Choreographie (Paris, 1700) and Pierre Rameau's Le Maãitre de danser (Paris, 1725), although neither author is credited. Part one describes feet positions, the manner of managing one's hat, and provides a large vocabulary of steps used in eighteenth-century dance technique. Part two includes dances by Feuillet and French dancer and choreographer, Guillaume-Louis Pecour. The third section discusses contredances. The last and most interesting part, dated 1764, gives descriptions for forty-five steps used in Spanish dance.  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDancexEarly works to 1800. 4aDance Instruction and Technical Manuals. 4aNotation for Dance. 4aMusic for Dance.7 dmusdif118gurn:hdl:loc.music/musdi.118uhttp://hdl.loc.gov/loc.music/musdi.1182http  k l mxn7o7pPqM  aNEW INPUT th14 05-18-98  asmcd/musdieammem01294cam  22002771  4500001001800000003000400018005001700022007000700039008004100046010002200087040001800109050001700127100001600144245004800160260004200208300002700250520037100277530012500648650001100773650004500784650002200829856009100851906002400942955002800966985002200994   05029180 //r98DLC19980625185405.6cr||||781018s1896    ohua          000 0 eng    a   05029180 //r98  aDLCcDLCdDLC00aGV1781b.N851 aNott, F. C.00aStage and fancy dancing.cBy F. C. Nott ...  aCincinnati, O.,bJ. M. Wright,c1896.  a55 p.bdiagrs.c19 cm.  aAlthough the manual begins with a description of the "five ballet positions," the book is intended for amateurs. Nott presents directions for thirty steps such as leap, boure [sic]-quick, hop, dash, slide, and paddle step. Included also are choreographies for over twenty dances such a "Skip Rope Dance," "Skirt Dance,""Cloak Dance," "Witches Dance," and "Cachucha."  aAvailable also through the Library of Congress Web site in two forms: as facsimile page images and as full text in SGML. 0aDance. 4aDance Instruction and Technical Manuals. 4aTheatrical Dance.7 dmusdif123gurn:hdl:loc.music/musdi.123uhttp://hdl.loc.gov/loc.music/musdi.1232http.  k l mxn7o7pPqM  aNEW INPUT th14 05-19-98  asmcd/musdieammem01901cam  2200337 a 4500001001300000003000400013005001700017007000700034008004100041010001700082040002400099043001200123050001100135050002500146100001600171245017400187260006300361300004700424520060500471530008601076650006101162650005201223650004501275650002401320650002101344700003401365856009001399906002401489955002801513985002201541   98160650 DLC19980618101954.5cr||||980615s1715    enkag         00010 eng    a   98160650   aDLCcDLCdDLCedcrb  ae-uk-en10aGV158900aMT950.P2bF6u<Case>1 aIsaac,cMr.14aThe friendship :bMr. Isaac's new dance for the year 1715 /cthe tune by Mr. Paisible ; engraven in characters & figures for the use of masters writ by Mr. Pemberton ...  a[London] :bPrinted for I. Walsh ... and I. Hare,c[1715?]  a[8] leaves :bill., music ;c29 cm. (fol.)  aThis ballroom duet for one couple, preserved in feuillet notations, was choreographed by English dancing master Mr. Isaac (c.1640-c 1720) to music composed by James Paisible (died 1721). The eight-couplet dance is in duple meter. The dance notation system, first published by dancing master Raould-Auger Feuillet (1659 or 1660-1710), is based on tract drawings that trace the pattern of the dance. Additionally, bar lines in the dance score correspond to the bar lines in the music score.  Signs written on the right or left hand side of the tract indicate the steps.  E. Pemberton notated the dance.  aAvailable also through the Library of Congress Web site as facsimile page images. 0aDancexStudy and teachingzEnglandxEarly works to 1800. 0aBallroom dancingzEnglandxEarly works to 1800. 4aDance Instruction and Technical Manuals. 4aNotation for Dance. 4aMusic for Dance.1 aPaisible, James,d1656?-1721.7 dmusdif124gurn:hdl:loc.music/musdi.124uhttp://hdl.loc.gov/loc.music/musdi.1242http  k l m n7o7pPqM  aNEW INPUT vj01 06-15-98  asmcd/musdieammem02191cam  2200349 a 4500001001300000003000400013005001700017007000700034008004100041010001700082040001800099043001200117050001100129050002500140100001600165245019400181246001300375260006300388300004400451520086800495530008601363650006101449650005201510650004501562650002401607650002101631700003401652856009101686906002401777955001801801985002201819   98160741 DLC19980618102340.8cr||||980615s1713    enkag         00010 eng    a   98160741   aDLCcDLCdDLC  ae-uk-en10aGV158900aMT950.P2bP3u<Case>1 aIsaac,cMr.14aThe Pastorall :bMr. Issac's new dance made for Her Majestys birth day 1713 /cthe tune by Mr. Paisible ; engraven in characters and figures for the use of masters writ by Mr. Pemberton ...3 aPastoral  a[London] :bPrinted for I. Walsh ... and I. Hare,c[1713?]  a[12] p. :bill., music ;c29 cm. (fol.)  aThis ballroom dance for one couple, preserved in Feuillet natation, was choreographed by English dancing master Mr. Isaac (c.1640-c1720) to music composted by James Paisible (died 1721). The fourteen couplet dance begins in 6/4 and changes to a hornpipe on the ninth couplet. The dance notation system, first published by dancing master Raoul-Auger Feuillet (1659 or 1660-1710), is based on tract drawings that trace the pattern of the dance. Additionally, bar lines in the dance score correspond to bar lines in the music score.  Signs written on the right or left hand side of the tract indicate the steps. The dance was notated by dancing master E. Pemberton who urged all dancing masters who had not learned the "characters of dancing" (Feuillet notation) either through "prejudice or mistaken notions" should do so as "it is necessary as the notes of music."  aAvailable also through the Library of Congress Web site as facsimile page images. 0aDancexStudy and teachingzEnglandxEarly works to 1800. 0aBallroom dancingzEnglandxEarly works to 1800. 4aDance Instruction and Technical Manuals. 4aNotation for Dance. 4aMusic for Dance.1 aPaisible, James,d1656?-1721.7 dmusdif125gurn:hdl:loc.music/musdi.125uhttp://hdl.loc.gov/loc.music/musdi.1252http.  k l m n7o7pPqM  avj01 06-15-98  asmcd/musdieammem01872cam  2200349 a 4500001001300000003000400013005001700017007000700034008004100041010001700082040002400099043001200123050001100135050002600146100001600172245018800188260006100376300004800437520056300485530008601048650004101134650005201175650001701227650004501244650002401289650002101313700003401334856009001368906002401458955001801482985002201500   98160754 DLC19980623143330.0cr||||980615s1711    enkag         000 0 eng    a   98160754   aDLCcDLCdDLCedcrb  ae-uk-en10aGV158900aMT950.P2bR33u<Case>1 aIsaac,cMr.14aThe rigadoon royal :bMr. Isaac's new dance made for Her Majestys birth day 1711 /cengraven in characters & figures for the use of masters writ by Mr. de la Garde, dancing master ...  a[London] :bPrinted for I. Walsh ... & I. Hare,c[1711?]  a[9] leaves :bill., music. ;c29 cm. (fol.)  aThis ballroom dance for one couple, preserved in Feuillet notation, was choreographed by English dancing master Mr. Isaac (c.1640-1720) to music composed by James Paisible (died 1721). The eight couplet dance is in duple meter. The dance notation system, first published by dancing master Raoul-Auger Feuillet (1659 or 1660-1710), is based on tact drawings that trace the pattern of the dance. Additionally, bar lines in the dance score correspond to bar lines in the music score. Signs written on the right or left hand side of the tract indicate the steps.  aAvailable also through the Library of Congress Web site as facsimile page images. 0aDancezEnglandxEarly works to 1800. 0aBallroom dancingzEnglandxEarly works to 1800. 0aDance music. 4aDance Instruction and Technical Manuals. 4aNotation for Dance. 4aMusic for Dance.1 aPaisible, James,d1656?-1721.7 dmusdif126gurn:hdl:loc.music/musdi.126uhttp://hdl.loc.gov/loc.music/musdi.1262http  k l m n7o7pPqM  avj01 06-15-98  asmcd/musdieammem01895cam  2200361 a 4500001001300000003000400013005001700017007000700034008004100041010001700082040001800099043001200117050001100129050002500140100001600165245011200181246001500293260006100308300004700369520064300416530008601059650004101145650005201186650001701238650004501255650002401300650002101324700003401345856009001379906002401469955001801493985002201511   98160755 DLC19980623143357.5cr||||980615s1712    enkag         000 0 eng    a   98160755   aDLCcDLCdDLC  ae-uk-en10aGV158900aMT950.P2bR4u<Case>1 aIsaac,cMr.14aThe royal Ann :bMr. Isaac's new dance made for Her Majestys birth day 1712 /cthe tune by Mr. Paisible ...15aRoyall Ann  a[London] :bPrinted for I. Walsh ... & I. Hare,c[1712?]  a[8] leaves :bill., music ;c29 cm. (fol.)  aThis ballroom dance for one couple, preserved in Feuillet notation, was choreographed by English dancing master Mr. Isaac (c. 1640-1720) to music composed by James Paisible (died 1721). The eight couplet dance is in triple meter. The dance notation system, first published by dancing master Raoul-Auger Feuillet (1659 or 1660-1710), is based on tract drawings that trace the pattern of the dance. Additionally, bar lines in the dance score correspond to bar lines in the music score. Signs written on the right or left hand side of the tract indicate the steps. English dancing master, E. Pemberton (fl. 1711), probably notated the dance.  aAvailable also through the Library of Congress Web site as facsimile page images. 0aDancezEnglandxEarly works to 1800. 0aBallroom dancingzEnglandxEarly works to 1800. 0aDance music. 4aDance Instruction and Technical Manuals. 4aNotation for Dance. 4aMusic for Dance.1 aPaisible, James,d1656?-1721.7 dmusdif127gurn:hdl:loc.music/musdi.127uhttp://hdl.loc.gov/loc.music/musdi.1272http  k l m n7o7pPqM  avj01 06-15-98  asmcd/musdieammem02067cam  2200361 a 4500001001300000003000400013005001700017007000700034008004100041010001700082040002400099050001100123050002600134100001600160245023300176246002100409260007200430300004800502530008600550520062400636500005701260650004101317650005201358650001701410650004501427650002401472650002101496700003401517856009001551906002401641955001801665985002201683   98160756 DLC19980623143433.0cr||||980615s1709    enkag         000 0 eng    a   98160756   aDLCcDLCdDLCedcrb10aGV158900aMT950.P2bR45u<Case>1 aIsaac,cMr.14aThe royal Portuguez :bMr. Isaac's new dance made for Her Majesty's birth day 1709 /cthe tune by Mr. Paisible ; engraven in characters & figurs [sic] for the use of masters writ by Mr. de la Garde ... and revis'd by the author.10aRoyal Portuguese  aLondon :bPrinted for I. Walsh & P. Randall ... & I. Hare,c[1709?]  a[14] leaves :bill., music ;c29 cm. (fol.)  aAvailable also through the Library of Congress Web site as facsimile page images.  aThis ballroom dance for one couple, preserved in Feuillet notation, was choreographed by English dancing master Mr. Isaac (c. 1640-c.1720) to music composed by James Paisible (died 1721). The fifteen couplet dance begins in 6/4 but changes to "brisk minuet time" on the eleventh couplet. The dance notation system, first published by dancing master Raoul-Auger Feuillet (1659 or 1660-1710), is based on tract drawings that trace the pattern of the dance. Additionally, bar lines in the dance score correspond to bar lines in the music score. Signs written on the right or left hand side of the tract indicate the steps.  aLC copy imperfect: 12th couplet supplied in ms.5DLC 0aDancezEnglandxEarly works to 1800. 0aBallroom dancingzEnglandxEarly works to 1800. 0aDance music. 4aDance Instruction and Technical Manuals. 4aNotation for Dance. 4aMusic for Dance.1 aPaisible, James,d1656?-1721.7 dmusdif128gurn:hdl:loc.music/musdi.128uhttp://hdl.loc.gov/loc.music/musdi.1282http  k l m n7o7pPqM  avj01 06-15-98  asmcd/musdieammem02064cam  2200361 a 4500001001300000003000400013005001700017007000700034008004100041010001700082040002400099043001200123050001100135050002600146100001600172245021200188246001900400260007200419300004800491530008600539520068900625650004101314650005201355650001701407650004501424650002401469650002101493700003401514856009001548906002401638955001801662985002201680   98160760 DLC19980623143640.8cr||||980615s1710    enkag         000 0 eng    a   98160760   aDLCcDLCdDLCedcrb  ae-uk-en10aGV158900aMT950.P2bR55u<Case>1 aIsaac,cMr.14aThe royall gailliarde :bMr. Isaac's new dance made for Her Majesty's birth day 1710 /cthe tune by Mr. Paisible ; engraven in characters & figures for the use of ma[ste]rs writt [sic] by Mr. de la Garde ...3 aRoyal galliard  aLondon :bPrinted for J. Walsh & P. Randall ... & J. Hare,c[1710?]  a[14] leaves :bill., music ;c29 cm. (fol.)  aAvailable also through the Library of Congress Web site as facsimile page images.  aThis ballroom dance for one couple, preserved in Feuillet notation, was choreographed by English dancing master Mr. Isaac (c.1640-c. 1720) to music composed by James Paisible (died 1721). The fifteen couplet dance begins in duple meter, changes to a triple meter sarabande at the tenth couplet, and changes once more to a canary on the twelfth couplet. The dance notation system, first published by dancing master Raoul-Auger Feuillet (1659 or 1660-1710), is based on tract drawings that trace the pattern of the dance. Additionally, bar lines in the dance score correspond to bar lines in the music score. Signs written on the right or left hand side of the tract indicate the steps. 0aDancezEnglandxEarly works to 1800. 0aBallroom dancingzEnglandxEarly works to 1800. 0aDance music. 4aDance Instruction and Technical Manuals. 4aNotation for Dance. 4aMusic for Dance.1 aPaisible, James,d1656?-1721.7 dmusdif129gurn:hdl:loc.music/musdi.129uhttp://hdl.loc.gov/loc.music/musdi.1292http  k l m n7o7pPqM  avj01 06-15-98  asmcd/musdieammem01755cam  22002891  45000010019000000030004000190050017000230070007000400080041000470100023000880400018001110500016001291000050001452450180001952600069